The Cloister Album of Voluntaries, Volume 1 Cover Image

The Cloister Album of Voluntaries, Volume 1: Organ Book

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The Cloister Album of Voluntaries, Volume 1 Cover Image

The Cloister Album of Voluntaries, Volume 1: Organ Book

Arr. Richard Turle

Item: 12-0571528724

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Description
The first of two compilations of the organ sheet music singles originally published as the Cloister Voluntaries. Twenty-two popular favorites in one compendium. The second album is also available from this web site - search 0571534724.

Titles: A Happy and Harmonious Blacksmith (Air from Suite No. 5) * A Stronghold Sure * Adagio * Agnus Dei from Coronation Mass * Agnus Dei * Air * Albumleaf * Alleluia * Andante * Cantabile * Andante in G * Andantino (Ballade in F) * Aria from Magnificat * Ave Maria * Ave Verum Corpus * Bouree in G * Bridal March from Lohengrin * Come Sweet Death * Cradle Song * Home on the Range * La Golondrina * Largo from New World Symphony * Handel's Largo * March from Egmont * Melody in F * Minuet in G * Oh for the Wings of a Dove * Pilgrim's Chorus from Tannhauser * Sweet and Low * Swing Low, Sweet Chariot * The Crusaders * Londonderry Air * The Rose Wreath * The Prince of Denmark's March * Wedding March from A Midsummer Night's Dream.

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Additional Details
Series: Faber Edition: Early Organ Series
Publisher: Faber Music
ISBN10: 0-571-52872-4
ISBN13: 978-0-571-52872-1
UPC: 9780571528721
SKU: 12-0571528724

More about this title

About the Arranger: Richard Turle

Richard Turle (1819-1895) was an English organist and composer whose long tenure at Westminster Abbey established him as one of the most respected church musicians of the Victorian era. His arrangements and original works for organ became foundational texts for generations of organists, balancing accessibility with musical substance. Turle's gift for transcription lay in his ability to preserve the essential character of each piece while crafting idiomatic writing for the organ.

Why we love this

This collection cuts through the endless searching for trustworthy intermediate organ repertoire by gathering 22 pieces that organists actually want to play. Turle's arrangements respect both the source material and the instrument, making these works sound natural on the organ rather than retrofitted. You get sacred music, familiar hymn-like pieces, and recognizable classics all in one volume, giving you real flexibility in building recitals or filling service needs.

What to expect

A walk through the organ's romantic heritage. These pieces range from gentle, contemplative moments to stately ceremonial music and familiar melodies, all rendered with Victorian propriety and craftsmanship. The arrangements have a particular warmth that comes from music arranged by someone who knew the instrument intimately and respected both the music and the player.

Who it's for

Intermediate to early advanced organists building a working repertoire of reliable, musically substantial pieces. Church musicians needing tasteful arrangements for services and recitals will find immediate application here. This collection also serves students who need exposure to different Romantic-era compositional and arranging techniques.

How to get the most out of it

  • Pay attention to the registration suggestions Turle provides; they're designed to enhance the piece's character without requiring a massive instrument.
  • Balance the melodic line against accompanimental figures so the arrangement doesn't feel thick or muddy, especially in the more ornate pieces.
  • Use the varied tempos and character markings as interpretive anchors, since many of these pieces exist in multiple versions across different composers.

How to use it

Use individual pieces from this volume to construct thematic recitals around composers like Handel, Wagner, or Dvořák without requiring separate scores. Several selections work beautifully in wedding or funeral services, while others fit naturally into educational performances where you want to demonstrate the organ's versatility. The range of styles also makes this a reliable source for filling gaps in your annual programming calendar.

Skills your students will build

  • Interpreting period-appropriate articulation and phrasing from 18th and 19th century arrangements
  • Managing the relationship between melody and accompaniment in transcribed works
  • Applying registration choices that enhance musical character
  • Navigating frequently shifting textures within shorter form pieces
  • Developing sight-reading fluency across diverse musical styles and keys

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