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The Classical Guitar Anthology: Guitar Book & CD

$20.99 USD
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The Classical Guitar Anthology Cover Image

The Classical Guitar Anthology: Guitar Book & CD

Music of France, Germany, and Russia

Arr. Alexander Glüklikh

Item: 00-0719B

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Description
Twenty-nine classical favorites in miniature, arranged for easy/intermediate classical guitar. Tablature and CD included! Titles include: Arabesque * Ave Maria * Clair de Lune * Moonlight Sonata * My Heart at Thy Sweet Voice * Pavane (Pour Une Infante Defunte) * Prelude No. 1 * Romance * Sarabanda * The Swan * Two Guitars and many more. Composers include: Bach, Beethoven, Debussy, Destouches, Fauré, Gluck, Lully, Miaskovsky, Rachmaninoff, Ravel, Rubinstein, Saint-Saëns, Schubert, Schumann, and Tchaikovsky.

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Sample Pages

Sample Audio
1 Bach-Ave Marie --:--
2 Debussy-Arabesque --:--

Bach-Ave Marie

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Sample Video
Additional Details
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7579-0991-4
ISBN13: 978-0-7579-0991-7
UPC: 654979053071
SKU: 00-0719B

More about this title

Why we love this

Glüklikh has done the hard work of translating these masterpieces into idiomatic guitar writing without sacrificing their essential character. Twenty-nine pieces means students never exhaust the book; there's always something fresh to discover, whether they're drawn to Debussy's impressionism or Bach's mathematical precision. The tablature removes a common friction point for classical guitarists still building sight-reading fluency.

What to expect

A tour through the European classical tradition at a human scale. These miniatures preserve the lyrical warmth of Romantic miniatures, the architectural clarity of Baroque forms, and the shimmering impressionism of early 20th-century writing, all arriving via the guitar's intimate, resonant voice.

Who it's for

Easy to intermediate classical guitarists who want exposure to the standard repertoire but need arrangements that fit their current technical range. Teachers looking to build student libraries with famous works will find this collection invaluable; it removes the barrier of transcription while maintaining artistic integrity.

How to get the most out of it

  • Study the recorded accompaniment for pieces you'll play solo; it gives you a sense of the original orchestration and reveals harmonic color you can suggest through touch and phrasing.
  • Pay attention to dynamic markings even in miniature arrangements. Saint-Saëns' Swan and Fauré's Romance depend on subtle gradations to breathe.
  • Use the tablature as a learning tool, not a crutch. Tab will get your fingers in position quickly, but read the staff notation in tandem to internalize the actual pitches.
  • When transitioning between pieces in a practice session, let the character of each one fully reset. Moving from Clair de Lune into a Bach prelude requires a mental shift.

How to use it

Ideal for casual recitals, student showcases, or end-of-semester programs where variety serves the audience. Solo guitarists can rotate pieces throughout the year as a core repertoire book, or directors can assign different selections to different students for a collaborative program that showcases both the guitar's versatility and the depth of classical music.

Skills your students will build

  • Baroque phrasing and two-voice independence (Bach)
  • Romantic expression and rubato within simple forms
  • Impressionistic tone color and dynamic control
  • Reading between staff notation and tablature simultaneously
  • Interpreting works originally written for other instruments
  • Building a repertoire of standard classical forms (prelude, romance, pavane, sarabande)

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