The Christmas Song: String Orchestra Conductor Score & Parts
By Mel Torme / By Robert Wells / Arranged by James Kazik
Grade: 3-4
Item: 35-PK00191178
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| The Christmas Song - Full Score | $6.00 | |
| The Christmas Song - Violin 1 | $7.00 | |
| The Christmas Song - Violin 2 | $7.00 | |
| The Christmas Song - Violin 3 (Viola Treble Clef) | $7.00 | |
| The Christmas Song - Viola | $7.00 | |
| The Christmas Song - Cello | $7.00 | |
| The Christmas Song - Bass | $7.00 | |
| The Christmas Song - Piano | $7.00 | |
| The Christmas Song - Percussion | $7.00 |
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More about this title
About the Composer: Mel Torme
Mel Torme was a musician of remarkable range and technical mastery. Born in 1925, he gained fame as a vocalist and composer with an intimate understanding of melody, harmony, and arrangement that shaped American popular music for decades.
Why we love this
Kazik's orchestration keeps the melody front and center while distributing the harmonic support evenly across sections, so your third and fourth year players stay engaged without drowning in complexity. The three and a half minute duration fits perfectly into a concert program, and the arrangement respects the tune's warmth without overshadowing it.
What to expect
Warm, nostalgic, and gently swinging. The arrangement captures that comfortable feeling of a familiar song shared with friends, balancing the sophistication of the harmonies against the simplicity of the melody so nothing feels strained.
Who it's for
School orchestras in grades 3 through 4 looking for a genuine holiday standard that sounds polished without requiring advanced technical skills. This works equally well for winter concerts, community performances, or end-of-semester celebrations.
How to get the most out of it
- Shape the opening phrase with a gentle crescendo into the main melody statement; let it breathe rather than push forward immediately.
- Balance the inner voices carefully during the chorus sections so the second violins and violas support rather than compete with the first violins.
- Work the rhythm section (cellos and basses) to anchor the harmonic changes without becoming mechanical; they're what make the arrangement swing.
How to use it
Place it late in your holiday concert as a crowd-pleasing closer, or open the second half with it to reset the energy after an intermission. It pairs well alongside both traditional carols and newer holiday arrangements because it exists comfortably in that middle ground of recognizability and charm.
Skills your students will build
- Balancing melody against harmonic accompaniment in an orchestral texture
- Maintaining steady groove in a swing-inflected harmonic context
- Shaping longer phrases with appropriate dynamic shape
- Reading and executing part-writing that distributes musical material across all string sections