The Brat: Score
By Rob Vuono Jr.
Grade: 4.5
Item: 98-DJE4113S
$6.00
Pickup currently not available
Description
This burnin' funk chart is an outstanding follow-up to Vuono's popular Calling Dr. Chops. Repetitive figures in the rhythm section make this one easier to learn than it sounds. Trumpet and tenor share the head before the full ensemble kicks in. A big unison sax feature gives your section an opportunity to stand up and get their groove on!
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Additional Details
Series:
FJH Advanced Jazz Ensemble
Publisher:
The FJH Music Company, Inc.
SKU:
98-DJE4113S
More about this title
About the Composer: Rob Vuono Jr.
Rob Vuono Jr. has built a reputation for writing accessible yet sophisticated jazz charts that work in real educational settings. His arrangements understand the balance between challenge and playability, giving students genuine funk and blues vocabulary without overwhelming them with complexity.
Why we love this
The rhythmic language here is genuinely groovy without sacrificing clarity. Because the rhythm section operates on locked, repetitive figures, your ensemble can focus entirely on locking into the pocket and nailing articulation, which means students spend their mental energy on musicality rather than deciphering complex charts.
What to expect
The Brat has swagger. It's the kind of chart that makes your saxophone section want to stand and deliver, while the rhythm section locks into a blues-based pocket that feels effortless once learned. There's real funk DNA here, not just jazz aesthetics layered on top.
Who it's for
This is ideal for jazz ensembles working at the 4.5 level who want material that sounds sophisticated and fun without requiring virtuosic soloing. It's also a natural follow-up for groups already familiar with Vuono's other work and ready for something with more groove and section features.
How to get the most out of it
- Isolate the rhythm section first and get that unison groove locked in bars 1-8 before adding any horns. The groove is the foundation; everything else sits on top of it.
- Shape the trumpet and tenor head so it sits slightly behind the beat. This laid-back phrasing is what makes the entrance at the full ensemble hit with real impact.
- Give the saxophone section distinct space during their unison feature. They should hear their own sound clearly in the ensemble, not buried in the horns; this builds confidence and presence.
- Let the groove breathe. Resist the urge to push the tempo. The chart's power comes from the pocket, not the pace.
How to use it
Schedule this later in the rehearsal year when your ensemble has the rhythmic maturity to commit to pocket playing. It pairs well on a program with straight-ahead blues standards and gives you a moment of contemporary groove that audiences genuinely enjoy.
Skills your students will build
- Playing with a steady pocket and resisting the urge to rush
- Blues articulation and phrasing, particularly in the context of funk rhythm
- Balancing sectional sound within an ensemble texture
- Lock and response patterns between rhythm section and horns
- Building confidence in featured section moments