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The Brat: Jazz Ensemble Conductor Score & Parts

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The Brat: Jazz Ensemble Conductor Score & Parts

By Rob Vuono Jr.

Grade: 4.5

Item: 98-JE4113

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Description
This burnin' funk chart is an outstanding follow-up to Vuono's popular Calling Dr. Chops. Repetitive figures in the rhythm section make this one easier to learn than it sounds. Trumpet and tenor share the head before the full ensemble kicks in. A big unison sax feature gives your section an opportunity to stand up and get their groove on!

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Additional Details
Series: FJH Advanced Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 674398217779
SKU: 98-JE4113

More about this title

About the Composer: Rob Vuono Jr.

Rob Vuono Jr. is a composer and arranger with a gift for writing accessible yet stylistically authentic jazz and funk charts for student ensembles. His work balances strong musicianship with playable writing, allowing groups to sound polished without requiring virtuosic chops across the section.

Why we love this

Vuono understands what makes a funk chart engaging for students: grooves that lock quickly, clear section roles, and moments where each group gets to shine. The sax feature alone makes this a section highlight worth rehearsing, and the repetitive rhythm figures mean your rhythm section learns the form fast and stays locked in.

What to expect

The Brat is all swagger and pocket. The repetitive figures in the rhythm section create a hypnotic, locked-in groove that lets you settle into the funk and stay there. When the full ensemble kicks in after the trumpet and tenor head, the energy jumps, and that unison sax feature brings the whole room to attention.

Who it's for

Jazz ensembles at the intermediate to advanced level who want a stylistically grounded funk chart that builds section confidence without overwhelming players. Groups comfortable with syncopated rhythms and groove-based playing will thrive with this one.

How to get the most out of it

  • Let the rhythm section lock the groove early in rehearsal before adding horns. The repetitive figures become the foundation that holds everything together.
  • Isolate the trumpet and tenor head to nail the phrasing and articulation together. These voices carry the melody and need to sound unified before the ensemble enters.
  • Give the sax section space to find their pocket during the feature. This is their moment to own the groove, so encourage them to sit on the beat and feel the funk.
  • Balance the unison sax writing so the lead voice projects clearly without drowning out the harmony voicings underneath.

How to use it

Slot this into a concert where you want to showcase your ensemble's groove sensibility and section strength. It pairs well alongside other blues- and rock-inflected repertoire, or use it as a high-energy closer that leaves the audience on their feet.

Skills your students will build

  • Reading and sustaining syncopated rhythmic figures
  • Playing with pocket and groove awareness in a funk context
  • Balancing melody and harmony in unison and sectional writing
  • Responding to section dynamics and collective energy shifts
  • Phrasing and articulation consistency across a section

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