The Bone Yard: Trumpet 3
By Erik Morales
Grade: 3.5
Item: 98-PC-DJE4109_T3
$7.00
Pickup currently not available
Description
Your trombone section will love this cleverly titled swingin' feature by Erik Morales. Its light and carefree swing style lends itself well to the trombone section while also holding the interest of the rest of the ensemble. A written solo section passes the solo around the trombone section - perfect for featuring each member without requiring any improvisation skills. A real winner!
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Additional Details
Series:
FJH Intermediate Jazz Ensemble
Publisher:
The FJH Music Company, Inc.
SKU:
98-PC-DJE4109_T3
More about this title
About the Composer: Erik Morales
Erik Morales has built a prolific composing career spanning multiple genres and ensemble types since the mid-1980s, when his high school band director first commissioned him to arrange marching music in south Florida. Trained at Florida International University and the University of Louisiana, Lafayette, Morales has published over 150 works for wind, jazz, orchestral, and chamber ensembles, all distinguished by a distinctive approach to melody and harmony. His output consistently balances artistic integrity with pedagogical value, making his music accessible to student musicians without sacrificing musical substance.
Morales has earned recognition within the jazz education community and trumpet world alike. His trumpet ensemble works have taken first place at the National Trumpet Competitions, and his Concerto for Trumpet in C and Piano premiered at the International Trumpet Guild conference. In 2016, he was inducted into the Louisiana Association for Jazz Education's Hall of Fame. Schools and organizations nationwide continue to commission new works from him, reflecting the trust educators place in his understanding of what works in the rehearsal room.
Why we love this
Morales gives the trombone section real musical weight here without turning it into a showcase that demands improvisation chops. The written solo passages mean every trombonist gets their moment while you sidestep the timing and confidence issues that come with trading fours. The swing groove sits naturally for the bones, and the rest of the ensemble stays engaged throughout rather than playing filler.
What to expect
Light, playful, and swinging. The clever title sets the tone for a piece that doesn't take itself too seriously while still delivering solid musicianship and groove. You'll hear the warmth of the trombone section singing over a rhythm section that pushes the music forward with swagger.
Who it's for
Jazz ensembles at the intermediate level with a solid trombone section ready for a feature that plays to their strengths. Directors looking for Halloween-appropriate repertoire that doesn't rely on obvious spooky effects or sound effects. Bands wanting to spotlight trombonists without the complications of managing improvisation.
How to get the most out of it
- Establish a relaxed swing feel in the rhythm section first. The groove should sit behind the beat slightly, not rush it.
- Balance the trombone voices in the ensemble sections. The melody line needs clarity without drowning out the harmonic support from the other bones.
- Let each trombonist own their solo passage. Even in a written section, encourage phrasing that feels personal and conversational.
- Use the rhythmic punctuation from the rhythm section to anchor the trombone figures. They lock tighter when the drums and bass are locked first.
How to use it
Perfect for a fall concert with its Halloween connection, especially if you're programming an ensemble concert that mixes styles. It works as a palette cleanser between heavier chart or a strong closer for a set that showcases your jazz ensemble's personality. Consider pairing it with other section features to balance your concert programming and keep the energy moving.
Skills your students will build
- Swing articulation and phrasing within the trombone section
- Section balance and blend in jazz voicings
- Reading written solo passages with individual character
- Time feel and pocket playing in a groove-based arrangement
- Jazz ensemble texture and interplay between soloist and accompaniment