The Best (Simply The Best) (arr. Hans Reintjes): SSAA Choral Octavo

Hans Reintjes has crafted an arrangement that preserves the anthemic quality of this song while making it genuinely singable for mixed women's voices. The piece captures that unstoppable confidence and joy audiences know so well, giving singers an opportunity to inhabit a contemporary pop classic that rewards commitment and presence.

This is pure affirmation set to music. The melody carries an infectious optimism and swagger that makes singers stand taller, while the arrangement provides solid harmonic support without drowning the top line. Performing it creates an immediate connection with an audience because the song itself radiates conviction and joy.

Choirs seeking contemporary material that energizes singers and audiences alike will find this arrangement accessible without being simplistic. The SSAA voicing works for groups of various sizes, from chamber ensembles to full choirs, making it flexible for different program needs.

• Build the dynamic arc gradually across the phrase; resist the urge to peak too early on the first chorus.
• Lock the sopranos and altos into their respective lines by rehearsing each voice part separately with a steady pulse before combining.
• Articulate the text with intention, especially on rhythmic figures, so the confident attitude of the song comes through in the delivery.
• Balance the arrangement so no single voice overwhelms the blend; this style rewards clarity over weight in the upper voices.

This pairs well in a concert celebrating strong vocal writing across decades and genres, or it can anchor a pop-focused program alongside other contemporary arrangements. The uplifting message and familiar melody make it particularly effective as a closing number or as a bridge between classical and lighter repertoire.

• Sustaining tone and breath control across longer phrases in a pop idiom
• Balancing confidence in delivery with musical ensemble blend
• Responding to rhythmic drive and contemporary articulation
• Interpreting text with character and intention
• Managing four-part voicing across the SSAA range