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The Best of "Shorties": E-flat Baritone Saxophone (Tuba Double) Book

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The Best of "Shorties" Cover Image

The Best of "Shorties": E-flat Baritone Saxophone (Tuba Double) Book

An All-Purpose Marching Band/Pep Band Book for Stands, Time-Outs, Pep Rallies, and a Host of Other Uses

Arr. Victor López

Item: 00-MBFM00006

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Description
A collection of the best charts from the popular Shorties series: 16 great arrangements of the most popular marching band tunes today in quick-to-play, quick-to-rehearse versions ideal for stands, time-outs, pep rallies, and a host of other uses. Titles are: Louie, Louie * Shout * Rock Around the Clock * In-A-Gadda-Da-Vida * Wipeout * La Bamba * Tequila * Gimme Some Lovin' * That's the Way (I Like It) * Land of a Thousand Dances * Soul Man * Your Mama Don't Dance * Bad to the Bone * Bang the Drum All Day * Happy Birthday to You * The Star-Spangled Banner.

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Additional Details
Publisher: Alfred Music
Page Count: 12
UPC: 654979184331
SKU: 00-MBFM00006
Instrumentation: E-flat Baritone Saxophone (Tuba Double)

More about this title

About the Arranger: Victor López

Victor López is a prolific arranger and composer whose work has shaped the sound of contemporary marching arts. His arrangements are known for their accessibility without sacrificing musicality, making complex popular tunes playable for ensembles at all levels. López has spent decades creating literature that serves the practical needs of marching bands, from full-length field shows to quick-play arrangements that energize crowds at games and pep rallies.

Why we love this

These arrangements solve a real scheduling problem: you need high-energy material that requires minimal rehearsal time but still sounds polished on the field or at stands. López's voice shines through in how he adapts iconic tunes for baritone sax and tuba players, giving them memorable melodic moments rather than harmonic filler. Sixteen tracks give you genuine variety for game-day rotation without the prep burden.

What to expect

Pure rock and soul energy in concentrated form. These arrangements capture the drive and swagger of their source material, from the relentless propulsion of "In-A-Gadda-Da-Vida" to the funk backbone of "Soul Man." Even at shorter length, each tune retains its character and delivers the crowd reaction you're after.

Who it's for

Baritone sax and tuba players in marching bands who need reliable, crowd-friendly material for games, rallies, and performance slots where full show music isn't required. Directors programming stands music or looking for material that engages both student performers and audiences without eating into rehearsal time will find these 16 titles essential. Smaller or less experienced sections will appreciate López's straightforward writing that lets them focus on style and delivery rather than technique.

How to get the most out of it

  • Lock into the groove early by playing these through on your own before ensemble rehearsal; the rhythmic clarity in your part drives the section's forward motion.
  • Balance upper-register passages against the lower voices in your section; baritone sax should cut through without overpowering the tuba players on unison lines.
  • Use articulation consistency across the section to nail the funk and rock feels; a slight delay on eighth notes keeps the swagger these tunes demand.
  • Bring energy to the shorter cuts; quick-play arrangements live or die by the confidence and commitment in the first few measures.

How to use it

Rotate these throughout game day to maintain energy during time-outs and between-inning breaks, or line up a handful as a stands medley that keeps fans engaged without demanding a full field production. They also work well as warm-up material or confidence-builders for less experienced sections before tackling longer repertoire. Consider programming several back-to-back during pep rallies where attention spans are shorter but enthusiasm runs high.

Skills your students will build

  • Rhythmic accuracy in funk and rock feels (syncopated eighth notes, backbeat emphasis)
  • Quick part reading and stand readiness for time-sensitive performance contexts
  • Balanced section voicing between baritone sax and tuba on unison melodic passages
  • Style-appropriate articulation and phrasing for popular music idioms
  • Stamina and focus for short, high-energy performances

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