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The Best of Margaret Goldston, Book 1: Piano Book

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The Best of Margaret Goldston, Book 1 Cover Image

The Best of Margaret Goldston, Book 1: Piano Book

A Special Collection of 7 Early Elementary to Elementary Favorite Piano Solos

By Margaret Goldston

Level: Early Elementary / Elementary

Item: 00-17396

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Description
Margaret Goldston loves to write sheet music solos, and it shows in this special collection. Seven of her most popular solos for early-elementary and elementary piano students are included in Book 1. Even at this early level, students will find a variety of styles and moods. Some favorite titles included are Honky-Tonk Ride, Indian Drumbeats and The Pop Star.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 1-4706-4820-2
ISBN13: 978-1-4706-4820-6
UPC: 038081159393
SKU: 00-17396

More about this title

About the Composer: Margaret Goldston

Margaret Goldston

Margaret Goldston (1932-2003) was a North Carolina-based composer and piano teacher who worked with students across all age ranges in her private studio. She earned her Bachelor of Music degree in piano performance from Louisiana State University and went on to study composition privately with Pulitzer Prize winner Robert Ward, developing a distinctive voice in educational piano writing.

Goldston's contributions to music education were recognized throughout her career. The North Carolina Federation of Music Clubs named her Composer of the Year in both 1983 and 1994, and she was a frequent clinician and workshop leader across the United States and Canada. Her work appeared in Clavier Magazine and continues to be featured on NFMC Junior Festivals lists. In 2020, the Music Teachers National Association posthumously honored her as a Foundation Fellow.

Why we love this

Goldston's early-elementary writing strikes a real balance between accessibility and musical substance. Seven pieces in one book gives you genuine variety—stylistic range that keeps practice sessions fresh and lets each student find something that speaks to them, whether that's the playful energy of Honky-Tonk Ride or the programmatic color of Indian Drumbeats. This is repertoire built by someone who understood what early learners needed and wanted.

What to expect

These pieces capture the joy and curiosity of early piano learning. You'll find playful character pieces rubbing shoulders with pieces that invite students to imagine scenarios and colors, creating a collection that feels like exploring rather than drilling.

Who it's for

Early-elementary and elementary pianists building technique, reading fluency, and confidence with contrasting styles. Teachers looking for reliable, musical repertoire for young students in private lessons or group studio settings will find seven pieces that engage without overwhelming beginners.

How to get the most out of it

  • Approach the rhythmic patterns in pieces like Honky-Tonk Ride as conversation between your hands; let the pulse stay steady even when one hand rests, keeping the momentum alive.
  • Listen to the key relationships between pieces as you move through the collection. Organizing practice by key family (rather than in book order) helps reinforce harmonic patterns without drawing explicit attention to theory.
  • Shape the melodic contours by thinking about where each phrase breathes, even in short pieces. Early-elementary students often play note-to-note; asking where the music wants to settle or lift transforms the sound.
  • Experiment with tempo choice before settling on one. These pieces reward slightly slower tempos that let harmonic color emerge, especially in the pieces with contrasting moods.

How to use it

Use individual pieces as performance vehicles for young students' first recitals, or select 2-3 contrasting pieces to showcase a student's progress across a semester. The stylistic variety makes it easy to pair pieces with other early-elementary repertoire for themed concerts.

Skills your students will build

  • Reading across treble and bass clefs with confidence
  • Maintaining steady tempo in pieces with syncopation and rhythmic variety
  • Distinguishing and executing contrasting articulations (legato, staccato) and dynamic shapes
  • Building independence between hands, especially in pieces with ostinato or rhythmic patterns
  • Responding to stylistic cues and programmatic imagery to shape interpretation

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