The Best of Haydn Cover Image

The Best of Haydn: Score

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The Best of Haydn Cover Image

The Best of Haydn: Score

For String Quartet or String Orchestra

[Franz Joseph Haydn] Ed. Samuel Applebaum and Paul Paradise

Level: Medium-Advanced

Item: 00-EL03201

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Description
Contents are: Allegretto (Op. 2, No. 5) * Allegro (Op. 3, No. 6) * The Bird (Op. 33, No. 3) * Cantabile (Op. 64, No. 5) * Canon (Op. 76, No. 2) * A Graceful Dance (Op. 3, No. 4) * The Horseman (Op. 74, No. 3) * In the Style of a Minuet (Op. 64, No. 5) * Menuetto (Op. 1, No. 1) * Menuetto (Op. 2 No. 4) * Menuetto (Op. 2, No. 5) * Menuetto (Op. 17, No. 2) * Menuetto (Op. 17, No. 3) * Menuetto (Op. 17, No. 5) * Perpetuo Mobile (Op. 64, No. 5) * Presto (Op. 1, No. 2) * Presto (Op. 2, No. 5) * Scherzo (Op. 3. No. 5)

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Additional Details
Series: The Best of...
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7579-9072-X
ISBN13: 978-0-7579-9072-4
UPC: 029156166378
SKU: 00-EL03201
Instrumentation: Score

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) spent nearly three decades as the principal composer for the Esterházy court in Hungary, a position that shaped his prolific output and refined his approach to instrumental music. His string quartets and symphonies established foundational forms that became the bedrock of Classical practice; his influence on Beethoven and Mozart was profound, and his innovations in orchestration and harmonic language remain central to the repertoire.

Haydn's gift for memorable melodic lines and clear structural design made his music accessible without sacrificing sophistication. His contributions to music education extend beyond composition into pedagogy: he understood how to write music that grows with the player, offering immediate gratification to developing musicians while rewarding deeper study.

Why we love this

This collection captures Haydn at his most charming and varied, moving past the symphonies your students already know into the intimate chamber world where his wit and invention shine brightest. The selection spans his career and showcases the full range of his voice within a format that sits comfortably for medium-advanced orchestras, offering both programmatic gems like "The Bird" and "The Horseman" and pure structural elegance in the minuets and scherzos. You get substantial material for a concert, sectional building, or as a foundation for exploring Classical style across multiple rehearsals.

What to expect

Elegant, witty, and surprising. You hear the Classical restraint and formal clarity you expect, but Haydn constantly plays with your expectations: a "graceful" dance contains harmonic detours, "The Horseman" gallops with genuine vitality, and even the minuets contain unexpected turns. The writing sparkles without being showy, and there's a warmth beneath the refinement.

Who it's for

String orchestras at the medium-advanced level who want a curated selection of Haydn's most rewarding works without having to hunt through individual publications. Directors building a Classical program will find reliable repertoire that engages students with both familiar forms (minuets, scherzos) and descriptive titles that spark musical imagination.

How to get the most out of it

  • Listen for the implied phrasing in Haydn's melodies; even in relatively simple textures, his lines want to breathe and shape themselves. Conductors often underestimate how much independence the parts require.
  • Balance the first violins' dialogue with the inner voices, especially in the minuets and the Scherzo. Haydn frequently hides harmonic interest and counterpoint in the middle of the texture.
  • Treat tempo as an expressive tool. Haydn's Allegrettos and Andantes are not slow movements; they move with purpose and maintain forward momentum even in introspective passages.
  • Approach the faster movements with clarity and articulation rather than opacity. Clean bow changes and precise rhythmic placement will reveal Haydn's structural logic and prevent these pieces from sounding muddled at tempo.

How to use it

Program one or two selections from this collection as an intermission centerpiece or as opening pieces that establish a "Classical masters" concert theme. The descriptive titles work well when paired with program notes, and the variety of tempos and characters allows you to sequence them for maximum impact. Consider using different movements in sectional rehearsals as repertoire for developing ensemble balance and phrasing without committing to full concert preparation.

Skills your students will build

  • Recognizing and executing Classical phrase structure and symmetry
  • Balancing melody and accompaniment across all voice levels
  • Responding to tempo markings as interpretive rather than mechanical instructions
  • Reading and maintaining clarity in fast passagework with articulation
  • Shaping longer lines with strategic dynamic and expressive choices
  • Understanding minuet and scherzo forms as active, dance-like structures

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