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The Best of Grade 4 Piano: Piano Book

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The Best of Grade 4 Piano Cover Image

The Best of Grade 4 Piano: Piano Book

A Compilation of the Best Grade 4 (Early Intermediate) Pieces Ever

Ed. Anthony Williams

Level: Early Intermediate

Item: 12-0571527744

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Description
Over the years, many examination pieces have captured the imagination of teachers and students, but these stars of one syllabus are often forgotten. This is a collection of the best Grade 4 (Early Intermediate) pieces ever. Titles include: Knight Rupert (Schumann) * Rondo in F (Mozart) * Waltz (Heller) * Sonata in G, first movement (Haydn) and more.

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Additional Details
Series: Faber Edition: Best of Grade Series
Publisher: Faber Music
Page Count: 32
ISBN10: 0-571-52774-4
ISBN13: 978-0-571-52774-8
UPC: 9780571527748
SKU: 12-0571527744

More about this title

Why we love this

Exam repertoire often gets shelved once the test is over, but this collection rescues genuinely musical pieces that deserve a second life in lesson books and recitals. You get Schumann's Knight Rupert alongside Mozart and Haydn; the writing is substantial without requiring students to manage multiple-page sonata forms or hand-crossing choreography that derails musicality.

What to expect

A window into the Romantic and Classical eras without pretension. These pieces breathe; they have narrative arc and genuine emotional content, whether Schumann's narrative scope or the graceful clarity of a Mozart rondo.

Who it's for

Early Intermediate pianists ready to move beyond method book etudes into real repertoire with character and harmonic substance. Teachers seeking curated collections that introduce major Classical composers without the complexity of full multimovement works.

How to get the most out of it

  • Balance melodic shape against accompaniment texture in the Heller Waltz; many students play the left hand at equal weight to the right, flattening the piece into accompaniment-driven rhythm.
  • Attack the Mozart Rondo's repeated figures with rhythmic precision rather than treating them as filler; each statement builds harmonic momentum.
  • Layer the Schumann piece's character work before diving into technical accuracy; knowing whether Knight Rupert is heroic, playful, or urgent changes how every phrase lands.

How to use it

Build a recital around one piece from this collection as an anchor work, supplementing it with shorter etudes or contemporary pieces to create programming variety. These titles also work beautifully in student showcases where you want to highlight technical growth without overwhelming students who are still developing stamina.

Skills your students will build

  • Legato pedaling in Romantic character pieces
  • Harmonic analysis and voice leading in Classical forms
  • Articulation and phrasing across dance-based structures (waltzes, rondos)
  • Dynamic contrast and rubato in early Romantic music
  • Quick reading of moderate-length repertoire (single movements, self-contained pieces)

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