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The Best of George Gershwin: String Quartet Full Score & Parts

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The Best of George Gershwin Cover Image

The Best of George Gershwin: String Quartet Full Score & Parts

George Gershwin / arr. Tony Esposito

Item: 00-IF0281

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Description
Songs include: Embraceable You * I Got Rhythm * The Man I Love * Someone to Watch Over Me * Swanee.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Best of George Gershwin: String Quartet Full Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Classic String Quartets
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-6133-7
ISBN13: 978-0-7692-6133-1
UPC: 029156194340
SKU: 00-IF0281

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical composition and American popular song with a fluency that few composers have matched. His gift for melody and his willingness to incorporate jazz idioms, blues inflections, and syncopated rhythms into concert music made him a cultural figure as much as a musical one. His works remain central to American musical identity and offer string players access to some of the most singable, emotionally direct music of the 20th century.

Gershwin's early success in songwriting for theater and film gave him an ear for what works vocally and harmonically. When he turned to larger forms like Rhapsody in Blue and An American in Paris, that theatrical sensibility never left him. These string quartet arrangements preserve the melodic generosity and harmonic sophistication that made his standards endure.

Why we love this

These arrangements let string quartets access some of the most beloved American songs without sacrificing the idiom or the joy. Gershwin's melodies are so strong and so singable that they translate beautifully to strings, and the harmonic language sits naturally under the fingers. Programming these alongside standard quartet repertoire signals to audiences that classical ensembles can own popular music without apology.

What to expect

These arrangements glow with the ease and confidence of great popular song. There's a conversational quality to the writing, as though the quartets are simply getting together to play tunes they love. At the same time, the sophistication of Gershwin's harmonies and the care of these arrangements means there's real substance beneath the charm.

Who it's for

String quartets seeking to expand beyond the classical canon into music that rewards serious playing while remaining immediately engaging. Intermediate to advanced players will find enough textural and rhythmic interest to sustain rehearsal, and audiences respond to the familiarity and warmth of these melodies.

How to get the most out of it

  • Treat the syncopations and jazz inflections as written; the rhythmic independence of the parts is essential to the swing and character of these songs.
  • Balance the melody generously, particularly when it moves between voices. These are songs that want to be heard, even within a quartet texture.
  • Listen carefully to how the ensemble breathes together in passages with rests or sustained chords. Gershwin's phrasing is conversational, not mechanical.
  • Explore the harmonic color available in these arrangements. Gershwin's chord voicings are sophisticated; let them resonate rather than rushing through them.

How to use it

These work beautifully as a standalone set, offering audiences a coherent program of familiar material performed at a high level. They also bridge repertoire: program one or two alongside a classical quartet and a contemporary piece to show the breadth of the ensemble's interests. The collection pairs well with other American standards or mid-century concert works.

Skills your students will build

  • Jazz articulation and swing rhythm in a chamber context
  • Balancing melody and accompaniment within a quartet texture
  • Ensemble flexibility in passages that bend meter or phrase phrasing
  • Intonation in chromatic and jazz-inflected harmony
  • Independent rhythmic coordination across four voices

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