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The Best of Cole Porter: Piano Book

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The Best of Cole Porter Cover Image

The Best of Cole Porter: Piano Book

Cole Porter

Level: Intermediate / Late Intermediate

Item: 12-0571531091

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Description
Contains over 30 classic Cole Porter songs in one album featuring such classics as "Another Op'nin", "Another Show", "It's De-Lovely", "Who Wants to Be a Millionaire" and "Begin the Beguine".

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-53109-1
ISBN13: 978-0-571-53109-7
UPC: 9780571531097
SKU: 12-0571531091

More about this title

About the Composer: Cole Porter

Cole Porter wrote for the stage with a sophistication that set Broadway standards for decades. His gift lay in crafting melodies that felt inevitable, witty lyrics that landed perfectly, and harmonic language that walked the line between accessible and clever. Porter's influence shaped how American composers approached song form, rhythm, and the marriage of words to music.

Why we love this

This collection gives pianists direct access to the harmonic vocabulary and idiomatic figurations that define mid-century American song. The Faber Edition makes these standards singable and playable without diluting what makes them musically interesting, and 30+ songs means you're not hunting across five different books to build a solid standards repertoire.

What to expect

These songs radiate urban sophistication and theatrical warmth. The harmonic movement pulls you forward with gentle surprises, while the melodies feel both refined and fundamentally singable. Whether you're playing a peppy opening number or a waltzing standard, there's an underlying elegance and wit that makes the music feel alive.

Who it's for

Pianists at the intermediate to late-intermediate level who want to deepen their command of jazz standards and American songbook style. This works equally well for students preparing for auditions, building a working repertoire, or simply understanding how great melodists construct their material.

How to get the most out of it

  • Listen closely to how Porter uses chromatic voice leading in the harmony; these aren't simple changes, and letting them breathe makes the melody land harder.
  • Find the rhythmic lilt in these tunes. They swing even when written in straight notation, so lean into the characteristic syncopation rather than playing everything metronomically.
  • Balance accompaniment texture with the melody line. Porter wrote songs meant to feature a singer, so the piano part supports rather than competes.
  • Pay attention to key relationships between songs. Programming several pieces in sequence rewards players who notice how Porter modulates and what harmonic colors dominate each tune.

How to use it

Slot individual songs into concerts alongside classical or contemporary work to show students where American popular music sits musically. Use selections as teaching vehicles for understanding reharmonization, song form, and jazz accompaniment styles. These pieces also work beautifully as part of a semester-long standards unit that bridges classical technique with jazz literacy.

Skills your students will build

  • Reading and interpreting jazz chord symbols and walking bass patterns
  • Recognizing and executing swing rhythm in written notation
  • Understanding song form (AABA, ABAC) through real musical examples
  • Voice leading with chromatic alterations and secondary dominants
  • Accompanying a melody while maintaining rhythmic pocket and harmonic clarity

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