The Best of Bruno Mars: Full Orchestra Conductor Score & Parts
Featuring: Just the Way You Are / When I Was Your Man / Uptown Funk
[Bruno Mars] Arr. Victor López
Grade: 3
Item: 00-PK-0007359
$75.00
One moment…
Description
The Best of Bruno Mars features an amazing medley of three extremely popular hits by Bruno Mars! These hot tunes will engage students and audiences. This medley includes "Just the Way You Are," performed for millions of fans at Super Bowl XLVIII; "When I Was Your Man," nominated for Best Pop Solo Performance at the 56th Annual Grammy Awards; and "Uptown Funk," the longest leading Hot 100 No. 1 of the 2010s, and performed at the Super Bowl 50 Halftime Show. This piece may be played by the entire orchestra or by strings with rhythm section. (4:00)
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Best of Bruno Mars: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
Open in the Player
Jump straight in and assign it today.
Start Your Free Trial
Open this title and explore the full library in minutes.
Sample Audio
1
Audio File
--:--
0:00
0:00
Sample Video
Additional Details
Series:
Pop Concert Full Orchestra
Publisher:
Alfred Music
Page Count:
248
SKU:
00-PK-0007359
More about this title
About the Arranger: Victor López
Victor López has built a career arranging popular music for concert ensembles at all levels. His arrangements have earned widespread adoption in schools and community orchestras, particularly for their accessibility and fidelity to the original recordings. López understands how to translate contemporary hits into functional orchestral writing without sacrificing the groove and energy that draws students to the music in the first place.
Why we love this
This medley taps into three songs your students already know and love, which means rehearsal momentum builds naturally. The arrangement balances full orchestra color with the option to perform with strings and rhythm section alone, giving you flexibility based on your instrumentation and the concert context you need to fill.
What to expect
Three consecutive celebrations of grooves that dominated popular culture. You move from the irresistible sweetness of "Just the Way You Are" into the tender reflection of "When I Was Your Man," then explode into the unstoppable funk of "Uptown Funk," creating a medley that feels both contemporary and thoroughly satisfying.
Who it's for
This is built for full orchestras working at Grade 3 level, particularly those seeking contemporary repertoire that resonates with student musicians and audiences alike. The flexibility to perform with full instrumentation or strings and rhythm section makes it practical for orchestras with incomplete instrumentation or those building hybrid ensembles.
How to get the most out of it
- Lock the rhythm section early. The pocket in all three songs depends on tight coordination between drums, bass, and keyboard; run those parts separately before full ensemble rehearsals.
- Emphasize the rhythmic precision in the string parts during "Uptown Funk." That section carries the groove, and sloppy articulation will flatten the energy.
- Shape the dynamics in "When I Was Your Man" carefully. The arrangement likely softens this section for emotional contrast, so resist the urge to let it drag.
- Mark all key changes and transitions in parts. A medley this popular moves quickly; catch ensemble awareness of section points during warm-ups.
How to use it
Program this as a standalone opener or closer on a pops concert to establish energy and accessibility immediately. The four-minute duration works as a strong palate cleanser between classical or art music selections, or as the anchor of a "music they know" themed concert.
Skills your students will build
- Articulation control in funk and pop idioms
- Rhythmic precision in groove-based ensemble playing
- Navigation of multiple key centers within a single medley
- Balancing stylistic authenticity with orchestral color
- Awareness of bass and rhythm section coordination