The Best Of Both Worlds: Marching Band Conductor Score & Parts
By Robbie Nevil / By Matthew Gerrard / As performed by Hannah Montana / Arranged by Michael Brown
Grade: 2-3
Item: 35-PK00159711
$55.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
Best-known as the theme song for the "Hannah Montana" TV series, this familiar rock hit is arranged in a hard-hitting style with carefully paced key changes that really drive it along. Perfect for the stands or drill teams.
The Best Of Both Worlds: Marching Band Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00159711
More about this title
About the Composer: Robbie Nevil
Robbie Nevil is a songwriter and producer who has crafted music across pop, rock, and television contexts. His work on the "Hannah Montana" theme alongside Matthew Gerrard became instantly recognizable to millions of young viewers, establishing him as a voice fluent in contemporary pop songwriting.
Why we love this
This arrangement captures everything that made the original hook so infectious while building in strategic key changes that sustain momentum across the full performance. Michael Brown's scoring gives marching bands at intermediate levels real meat to work with: the piece sits comfortably within Grade 2-3 range without sacrificing energy or polish, and the rock idiom feels genuinely earned rather than diluted.
What to expect
High energy and forward moving. The arrangement channels the pop rock confidence of the original while the key changes inject moments of surprise and lift that keep the piece from feeling static. It's built for outdoor performance: bold, clean, and instantly engaging.
Who it's for
Marching bands seeking contemporary repertoire that connects with students and audiences alike. This works especially well for programs looking to program recognizable material without compromising musical substance or ensemble skill development.
How to get the most out of it
- Lock in the rhythmic feel early in rehearsals. The rock groove is the foundation; clean ensemble articulation on the backbeat will elevate everything around it.
- Treat each key change as a moment to reset energy and intensity. The arrangement uses these modulations deliberately, so mark them as sectional goals rather than technical hurdles.
- Balance the melody line with supporting voices so the theme stays front and center. With material this recognizable, clarity of line serves the arrangement better than doubling.
How to use it
Slot this into mid-season programming or as a standalone feature that bridges contemporary pop repertoire with marching ensemble conventions. It programs well alongside more traditional material, offering contrast while maintaining ensemble cohesion. High school bands particularly benefit from the immediate audience recognition paired with the musical substance required to perform it well.
Skills your students will build
- Rock rhythm section pocket playing (backbeat and groove orientation)
- Executing modulations cleanly while sustaining forward momentum
- Balancing melodic clarity with harmonic support in a pop-rock idiom
- Reading and executing parts written for marching band voicing