The Best Is Yet To Come Sheet Music Preview

The Best Is Yet To Come: Ukulele

As performed by Michael Bublé

Item: 35-DS00430836

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00430836

More about this title

About the Artist: Michael Bublé

Michael Bublé is a Canadian jazz and pop vocalist whose smooth, sophisticated interpretations of classic standards have introduced millions to the Great American Songbook. His career has centered on breathing new life into timeless melodies, making him a natural fit for music educators seeking repertoire that bridges traditional and contemporary tastes.

Bublé's approach to arrangement and phrasing emphasizes clarity and emotional directness, qualities that translate effectively to educational settings. His popularity across age groups and listening contexts makes his music valuable for students exploring how arrangers adapt familiar songs across different instrumental voices.

Why we love this

This is a standard that belongs in the hands of ukulele players who want to work with genuine jazz vocabulary without abandoning the uke's playful character. The arrangement preserves Bublé's signature warmth while giving the ukulele space to shine with rhythmic and harmonic sophistication that rewards confident players.

What to expect

Optimistic and breezy, with the confidence of a song that knows its own appeal. The ukulele carries forward Bublé's easygoing elegance, offering listeners something both comforting and subtly sophisticated all at once.

Who it's for

Intermediate to advanced ukulele players with solid rhythm and melodic reading skills will find this arrangement accessible yet rewarding. It works equally well for soloists preparing for recitals or ensemble concerts and for students who want to understand how contemporary arrangers handle classic material.

How to get the most out of it

  • Pay close attention to the swing feel if it's marked in the score; even slight rushing or dragging will change the song's essential character
  • Identify which sections call for rhythmic comping and which invite a more sustained melodic approach, then practice the transition between them
  • Experiment with dynamic shaping across the verse and chorus to create narrative arc rather than playing everything at a consistent volume level

How to use it

Slot this into a spring or year-end concert featuring jazz standards and American Songbook classics, or use it as a showcase piece for your most accomplished ukulele soloist. It also works as a bridge between classical and contemporary repertoire if you're building a themed program around popular standards.

Skills your students will build

  • Swing rhythm interpretation
  • Jazz comping patterns and harmonic awareness
  • Dynamic shaping and phrasing in a standard song form
  • Balancing melodic clarity with rhythmic accompaniment

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