The Beautiful Bridegroom Sheet Music Preview

The Beautiful Bridegroom: String Orchestra Conductor Score & Parts

By Dan Shore

Item: 35-PK00291321

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Description
"The Beautiful Bridegroom," a one-act comic opera for six women, has been hailed as "a little masterpiece" by Pulitzer Prize-winning composer David Del Tredici. Based on an 18th-century play by Ludvig Holberg, this Mozart pastiche tells the story of a widow who has been searching for a young husband-not for her two marriageable daughters, but for herself. Perfect for opera workshops, college opera departments, and small opera companies. Winner of the 2009 National Opera Association Chamber Opera Composition Competition. For six sopranos (or four sopranos and two mezzo-sopranos); scored for chamber orchestra. Duration: 35:00

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00291321

More about this title

Why we love this

Shore captures the spirit of 18th-century comic opera while making it genuinely playable for college and community ensembles. The Mozart pastiche pastiche style gives conductors and singers immediate stylistic footing, and the one-act length hits that sweet spot for workshop presentations where audiences stay engaged and ensembles can manage the rehearsal load.

What to expect

Effervescent and clever. The Mozart pastiche style creates an immediate sense of style and elegance, while the comedy lands through situation and character work rather than forced silliness. Chamber orchestra textures stay intimate even as the farce builds, keeping the whole enterprise nimble and witty.

Who it's for

Opera workshops, college opera departments, and small opera companies looking for a chamber work with genuine comedic substance and a manageable performance footprint. Conductors seeking a winning piece that doesn't demand operatic megastar casting will find this accessible and dramatically rewarding.

How to get the most out of it

  • Balance the vocal lines carefully in rehearsal; the chamber orchestra scoring means sopranos and mezzo-sopranos cannot hide, so clarity of diction becomes a shared responsibility between singers and instrumentalists.
  • Establish the comic timing through tempo choices in the spoken dialogue sections (if present in your orchestration). Comedy needs breathing room; rushing undermines the humor.
  • Scout the string parts early for divisi passages that might affect your available players. Know what your ensemble can handle before the first rehearsal.

How to use it

Use this as a mainstage or workshop feature during the spring semester when your opera course or ensemble has had time to develop skills and community bonds. At 35 minutes, it works well as a standalone concert event or as a companion piece alongside a fully staged production of a longer opera.

Skills your students will build

  • Singing ensemble passages and entering independently in chamber orchestra texture
  • Sustaining comic acting and characterization over a 35-minute arc
  • Coordinating vocal phrasing with chamber orchestra accompaniment
  • Reading recitative and accompanied singing across different musical styles

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