The Beast Cover Image

The Beast: String Orchestra Conductor Score & Parts

$42.00 USD
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The Beast Cover Image

The Beast: String Orchestra Conductor Score & Parts

By Michael Story

Grade: 1

Item: 00-41176

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Description
Designed to musically depict a large, four-hoofed animal, real or imaginary, as it wanders about, this original work will capture the imagination of your first-year students. Scored to be accessible for beginners, this colorful creation will make them sound like pros. (1:45) This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Beast: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Very Beginning String Orchestra
Publisher: Alfred Music
Page Count: 68
UPC: 038081465555
SKU: 00-41176

More about this title

About the Composer: Michael Story

Michael Story is a prolific composer whose output spans band, orchestra, and choral literature. His works for young ensembles are known for their clarity of orchestration, memorable melodic writing, and ability to engage developing musicians without compromising musical integrity.

Why we love this

Story captures the essence of a lumbering creature with genuine musical humor and descriptive writing that requires no programmatic explanation to be effective. First-year students hear themselves making real orchestral music from the first rehearsal, which builds confidence and ensemble pride faster than generic beginner pieces ever could.

What to expect

Playful and gently theatrical, with enough musical substance to feel satisfying. The imagery of a four-legged creature moving through the landscape emerges naturally from the orchestration without ever feeling cartoonish or simplistic.

Who it's for

First-year string orchestra students who are ready for a piece that sounds polished and ambitious but remains technically accessible. This works equally well for full orchestras with mixed experience levels, since the parts sit comfortably in early-year ranges.

How to get the most out of it

  • Balance the opening pizzicato foundation so that the melodic line in the upper strings stays clearly in focus; this establishes the character immediately.
  • Shape the crescendos and dynamic contours as if the creature is genuinely moving through space, not just playing louder and softer.
  • Let the tempo breathe slightly at key sectional transitions to heighten the storytelling without losing forward momentum.

How to use it

Program this early in your concert when student energy is high and the audience is ready to smile. It opens doors for first-year players to experience the reward of collaborative musicmaking, making it ideal for a fall concert or as the opener for a family-friendly school assembly.

Skills your students will build

  • Reading and executing dynamic markings with musical intention
  • Balancing melodic and harmonic voices in an orchestral texture
  • Sustaining tone quality across range and dynamic changes
  • Responding to conductor cues for sectional clarity
  • Coordinating ensemble rhythm without excessive reliance on counting

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