The Battle Of Jericho Sheet Music Preview

The Battle Of Jericho: 2-Part Choral Octavo

Arranged by David C. Dickau

Item: 35-DS00482916

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00482916

More about this title

Why we love this

Dickau's arrangement captures the spiritual urgency of this spiritual without overcomplicating the ensemble writing. The 2-part voicing stays transparent enough for developing choirs while delivering genuine power in the moments that matter. It's the kind of setting that teaches singers how to build intensity through ensemble unity rather than through complexity.

What to expect

Rhythmic energy anchored in conviction. The biblical narrative of walls falling carries musical forward motion, yet the arrangement allows space for the reverence the text deserves. It's celebratory without becoming frivolous, structured without feeling stiff.

Who it's for

Choirs with solid fundamental skills but not yet ready for complex divisi or dense harmonic writing. This works especially well for middle and high school programs building toward more demanding sacred repertoire, or any ensemble seeking a spiritual arrangement that doesn't require specialized ranges or extended techniques.

How to get the most out of it

  • Shape the opening with deliberate pacing. The narrative impact hinges on how patient and grounded you are before momentum builds.
  • Balance clarity of text with musicality. Sacred text needs precision, but rhythmic energy shouldn't feel mechanical.
  • Lean into the harmonic moments. Dickau likely plants specific sonorities that amplify the text; don't rush past them.

How to use it

Pair this with other spirituals to build a thematic concert around resilience and faith, or use it as a cornerstone for a sacred music set at festival competition. At nine pages, it's substantial enough to stand on its own in a program but concise enough to pair with lighter concert works.

Skills your students will build

  • Maintaining rhythmic independence in 2-part texture
  • Singing through narrative arc in spiritual tradition
  • Balancing ensemble blend with text projection
  • Responding to harmonic changes that support spiritual expression

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