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The Basses Are Loaded: Concert Band Conductor Score

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The Basses Are Loaded Cover Image

The Basses Are Loaded: Concert Band Conductor Score

By Kelly Bennette

Grade: 3

Item: 36-50105277

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Description
A highly original, yet stylistically correct and appropriate march, The Basses Are Loaded by Kelly Bennette is a tongue-in-cheek word play on a situation in our national game of baseball. As might be expected, the low instruments of the band---particularly the tubas---have much of the melodic material, making this a refreshing change in programming. (3:00)

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Additional Details
Series: LudwigMasters Concert Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887410-7
ISBN13: 978-1-63-887410-2
UPC: 660355186677
SKU: 36-50105277
Instrumentation: Concert Band

More about this title

Why we love this

Kelly Bennette writes marches that sound completely authentic to the genre while having genuine personality. The choice to feature tubas and low brass in the melodic foreground is both musically satisfying and genuinely refreshing; your bass section will finally get moments that feel as important as they are.

What to expect

A march that swings with confidence and humor. The low instruments drive the piece forward with surprising melodic richness, creating an unexpected warmth and charm that feels both classically march-like and distinctly modern. There's genuine wit here without compromising the form.

Who it's for

Directors programming Grade 3 concert bands who want a march with real substance and a playful twist. This works especially well for groups with solid tuba players who deserve to shine in the spotlight and for audiences who appreciate clever compositional ideas wrapped in approachable musicianship.

How to get the most out of it

  • Give the tuba section ownership of their primary melodic lines. These aren't inner voices or harmonic fillers; they're the lead, so encourage confident, singing tone work in the lower register.
  • Shape the march with clear phrasing in the low brass parts. The humor and charm of this piece depends on the audience hearing the melodic content, so work against the tendency to keep bass parts purely rhythmic.
  • Balance the full band so that when the tubas carry the tune, they sit front and center in the mix without the upper voices covering them. This may mean adjusting typical concert band voicing weights.
  • Let the tongue-in-cheek title inform your interpretation. The piece is stylistically correct but not stuffy; allow the band to enjoy the cleverness of the concept.

How to use it

Program this as a standalone march or as part of a concert devoted to varied march styles. It pairs well with traditional marches, creating a conversation about how the genre can evolve while respecting its conventions. At three minutes, it also serves as an energizing closer or a breather between longer works.

Skills your students will build

  • Reading and executing bass clef in tubas with sustained melodic responsibility
  • Maintaining march style and articulation while featuring non-traditional instrumentation
  • Listening and balance adjustments to support unusual voicing in a concert band texture
  • Understanding how clever concepts and proper orchestration serve each other in effective composition

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