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The Basic Book of Scales, Chords, Arpeggios & Cadences: Piano Book

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The Basic Book of Scales, Chords, Arpeggios & Cadences Cover Image

The Basic Book of Scales, Chords, Arpeggios & Cadences: Piano Book

Includes All the Major, Minor (Natural, Harmonic, Melodic) & Chromatic Scales

By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco

Item: 00-5754

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Description
An invaluable collection of scale, chord, arpeggio and cadence studies in all major and minor keys. Each key is presented in a unique two page format: the left hand page presents the scale in parallel motion, contrary motion, and parallel motion in thirds and sixths. The right hand page contains triads, cadences and arpeggios in root position, 1st inversion and 2nd inversion.

These excellent all-inclusive books teach scales, chords, arpeggios, and cadences at three different levels. The FIRST book (#11761) accommodates the learning pace of younger students such as those in Alfred's Basic, Level 2. The BASIC book (#5754) is slightly more in-depth, presenting scales, chords, arpeggios, and cadence studies in all the major and minor keys. The COMPLETE book (#5743) features everything in the BASIC book, plus extra features like a 12-page explanation that leads to complete understanding of the fundamentals of major and minor scales, chords, arpeggios, and cadences; a clear explanation of scale degrees; and a two-page guide to fingering the scales and arpeggios

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-88284-859-3
ISBN13: 978-0-88284-859-4
UPC: 038081111247
SKU: 00-5754

More about this title

About the Author: Willard A. Palmer

Willard A. Palmer

Willard A. Palmer built a career as both a performing musician and a methodologist of extraordinary reach. His output spanned hundreds of compositions and arrangements across piano, accordion, guitar, and voice, with translations circulating in German, Japanese, French, Dutch, and Spanish. He studied at the Conservatory of Leipzig on scholarship and later taught accordion at the University of Houston, establishing the first college-level accordion courses there.

Palmer's later scholarship focused on historical performance practice, particularly Baroque ornamentation and interpretation. His expertise in this area became foundational to the Alfred Masterworks series and earned him international recognition as a scholar. He held a Doctor of Humanities degree and a Doctor of Music degree, and served as director of the Riemenschneider Bach Institute.

Why we love this

This book cuts through the noise of flashy technique supplements by offering what actually works: systematic, thorough coverage of all keys with a logical two-page architecture that students can navigate independently. The parallel organization of scales opposite triads and cadences means students aren't flipping between books when they need to connect the harmonic and scalar landscape.

What to expect

Methodical and clarifying. This is the sound of technique becoming tangible: playing scales that actually connect to the chords you'll encounter in real music, seeing inversions on the page in the same moment you understand how they function. No surprises, no shortcuts, just the steady accumulation of competence across every major and minor key.

Who it's for

Intermediate piano students who have moved past elementary method books and need systematic grounding in all keys before tackling Bach inventions, classical sonatas, or jazz voicings. Teachers who value foundational technique and want students to understand the architecture of scales and harmony rather than memorizing isolated patterns.

How to get the most out of it

  • Assign one key per week rather than racing through all keys at once; this paces the foundational work and gives students time to internalize the relationships between scales, inversions, and cadence function in context.
  • Use the left-hand scale pages to establish muscle memory across all motion types before students attempt the right-hand chord work; mastering the mechanical foundation first prevents frustration.
  • Have students play entire pages aloud in lessons so you can hear articulation, evenness, and pedal clarity rather than assuming silent practice is building the habits you need.

How to use it

Assign this as a companion to repertoire study rather than as a standalone text. When a student begins learning a Brahms intermezzo in C minor, open this book to the C minor pages and work through the scale and cadence studies to anchor the technical and harmonic landscape before diving into the music.

Skills your students will build

  • Playing scales in parallel and contrary motion across all major and minor keys
  • Identifying and executing chord inversions (root position, first inversion, second inversion)
  • Recognizing and performing authentic, plagal, and deceptive cadences in harmonic context
  • Understanding scale degree function and its relationship to chord construction
  • Building even technique and consistent articulation across extended passages

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