The Ash Grove: 1st Percussion: Choral SoundPax
Arr. Mark Hayes
Item: 00-PC-0000732_PC1
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, The Ash Grove: 1st Percussion: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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About the Arranger: Mark Hayes

Mark Hayes brings together deep expertise across multiple musical disciplines: concert pianist, composer, arranger, and conductor. His published catalog exceeds 1,750 works spanning sacred and secular genres, piano literature, orchestrations, and musical theater. He holds a Bachelor of Music degree summa cum laude in Piano Performance from Baylor University (1975) and has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, presenting his own compositions including Te Deum, Magnificat, Gloria, and the Requiem.
Hayes's career reflects both national and international scope. He conducted the world premiere of his Requiem at Lincoln Center in 2013 and later performed it at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival. In 2015, he premiered a commissioned work for treble and mixed voices with orchestra at St. Paul's Co-educational College in Hong Kong for their centennial celebration. Baylor University honored him in 2010 with the Award for Exemplary Leadership in Christian Music. His work extends to musical theater orchestration and arrangement, and he maintains an active presence as both composer and pianist.
Why we love this
Hayes transforms a beloved Welsh melody into something genuinely fresh without sacrificing its folk character. The optional SoundPax instrumentation offers a genuine enhancement rather than a surface addition—the woodwind quintet and auxiliary percussion open new interpretive possibilities, giving directors flexibility to perform this piece in intimate or fuller contexts. The dual SATB/SSAA scoring recognizes the reality of mixed choral programs.
What to expect
Warm and unhurried, like a gentle walk through a familiar landscape that reveals new details with each glance. The arrangement breathes with elegance; Hayes's piano writing creates a shimmering backdrop that lifts the Welsh melody without overshadowing it. There's a sense of poetic restraint throughout, letting the hymn-like quality of the tune shine through refined harmonies.
Who it's for
SATB and SSAA choirs seeking repertoire that honors folk tradition while offering sophisticated harmonic color. Directors programming concerts that need a piece balancing familiarity with musicality, suitable for diverse performance contexts from school choirs to church and community ensembles.
How to get the most out of it
- Balance the treble voices in the SSAA voicing so the melody sits naturally without requiring excessive dynamic support from the soprano line.
- If using the SoundPax accompaniment, shape the woodwind phrasing to match your choir's breath points rather than letting the recorded parts dictate your pacing.
- Lean into the elegant harmonies Hayes provides rather than pushing volume; this arrangement rewards thoughtful, lyrical singing over power.
- Pay attention to any rhythmic subtleties in the piano writing, as Hayes's colorful accompaniment often carries crucial musicality beyond the choral line.
How to use it
Pair this with other folk-song arrangements to create a thematic programming block, or use it as an elegant contrast piece in a concert balancing more dramatic contemporary choral works. The optional instrumentation makes it adaptable: perform it with piano alone for intimate venues or add the woodwind quintet and percussion for larger concerts, giving you programming flexibility across the season.
Skills your students will build
- Singing in SSAA or SATB voicing with attention to blend and balance within divided voice parts
- Responding to sophisticated harmonic progressions while maintaining the integrity of a folk melody
- Stylistic singing of lyrical, poetic text with appropriate phrasing and breath management
- Coordination with optional instrumental accompaniment (if using SoundPax)