The Artistry of George Shearing Cover Image

The Artistry of George Shearing: Piano Book

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The Artistry of George Shearing Cover Image

The Artistry of George Shearing: Piano Book

George Shearing / transcr. Bob Hinz

Level: Intermediate / Advanced

Item: 00-AFM00018

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Description
Bob Hinz has included some top standards and some originals in this great folio of solo piano transcriptions of jazz piano legend George Shearing. A must for all jazz fans! Titles are: Children's Waltz * Happiness Is a Thing Called Joe * For You * It Had to Be You * It's You or No One * John O'Groats * Waltz for Claudia * Wendy * Thinking of You * Miss Invisible * You're My Everything.

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Additional Details
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7692-9926-1
ISBN13: 978-0-7692-9926-6
UPC: 654979186069
SKU: 00-AFM00018

More about this title

About the Composer: George Shearing

George Shearing (1919-2011) was a British-American jazz pianist and composer whose sophisticated harmonic language and innovative approach to voicing redefined small group jazz in the 1950s. His "Shearing Sound" – built on quartal harmonies and a distinctive ensemble blend – influenced generations of pianists and composers. Shearing composed numerous standards and led one of jazz's most commercially successful ensembles while maintaining the highest level of musical craftsmanship throughout his career.

Why we love this

Bob Hinz's transcriptions capture Shearing's pianistic language with genuine clarity, making his harmonic sophistication and voicing choices accessible on the page. The collection balances well-known standards with Shearing originals, giving pianists a complete picture of his compositional and interpretive approach. These arrangements work equally well as performance pieces and as windows into how a master jazz pianist voices and reimagines familiar material.

What to expect

Elegant and sophisticated, with the kind of harmonic warmth that defines the best of 1950s jazz piano. The music balances lyrical melodicism with intricate voicing, never sacrificing singability for complexity. Playing through these transcriptions feels like sitting at the piano with a master teacher explaining how standards can be reimagined through thoughtful, intelligent reharmonization.

Who it's for

Jazz pianists working at the intermediate to advanced level who want to deepen their understanding of post-bebop harmonic language and small group jazz aesthetics. Teachers building jazz curriculum will find these transcriptions invaluable for demonstrating advanced voicing concepts and compositional sophistication. Pianists interested in the intersection of standards and original compositions will find a rich collection that rewards repeated study.

How to get the most out of it

  • Study Shearing's recorded versions first to internalize his characteristic voicings and the overall sound aesthetic; the transcriptions preserve his harmonic language but come alive when you understand his tonal conception.
  • Pay close attention to left-hand independence and bass line movement; Shearing's comping creates conversation between hands rather than simple accompaniment patterns.
  • Shape phrases through dynamic control and rubato rather than relying on tempo changes; his style emphasizes harmonic color and melodic breathing over rhythmic flashiness.
  • Approach the pedal with precision since his dense voicings can blur quickly; use selective pedaling to enhance harmonic resonance without muddying the lines.

How to use it

Feature individual selections in jazz recitals or as standalone pieces demonstrating classical jazz piano repertoire. Use the collection to support jazz history or jazz improvisation study, pairing performances with listening to Shearing's original recordings. Include transcriptions in advanced piano studio curricula where students are exploring jazz language and harmonic sophistication beyond traditional classical repertoire.

Skills your students will build

  • Reading and interpreting advanced jazz voicings and quartal harmonies
  • Left-hand independence and comping patterns specific to cool jazz and small group jazz
  • Pedal technique for dense harmonic sonorities
  • Phrasing and rubato in jazz idiom
  • Harmonic analysis of standards through reharmonization
  • Finger independence and hand position management across extended voicing ranges

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