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The Art of Writing Music: Softcover Textbook

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The Art of Writing Music Cover Image

The Art of Writing Music: Softcover Textbook

By John Cacavas

Item: 00-4163

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Description
John Cacavas has written an extensive book on the techniques of composing, orchestrating and arranging. Includes chapters on each section of the band and orchestra, voicing techniques as well as special chapters on concert band writing, choral writing, electronic applications and writing for film and television.

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Additional Details
Publisher: Alfred Music
Page Count: 196
ISBN10: 0-88284-619-1
ISBN13: 978-0-88284-619-4
UPC: 038081027586
SKU: 00-4163

More about this title

About the Author: John Cacavas

John Cacavas

John Cacavas brings decades of professional composition and arrangement work directly into the classroom. His career spans over 400 television episodes, 50 made-for-TV films, and 15 feature films, giving him unmatched insight into how music functions across different media and ensembles. A Northwestern University graduate in Composition and Theory, Cacavas also served as an arranger with the United States Army Band, where he refined his craft among some of the nation's finest musicians.

His textbooks distill that real-world experience into practical instruction. Cacavas writes from the perspective of someone who has actually orchestrated for Broadway pit orchestras, film studios, and concert stages, not merely from theoretical knowledge. This grounding in professional practice makes his guidance on voicing, scoring, and medium-specific writing unusually direct and applicable.

Why we love this

Cacavas tackles the full scope of composition and arrangement in one resource, moving logically from instrumental and vocal fundamentals through specialized contexts like film scoring and concert band writing. Rather than treating electronic and media applications as afterthoughts, he integrates them as legitimate compositional outlets, reflecting how today's musicians actually work. A director planning to teach composition or introduce students to professional arranging practice will find focused chapters on exactly the scoring situations they need to address.

Who it's for

Composition teachers, arrangers developing their craft, conductors who write or adapt music for their ensembles, and serious students exploring how professional composers handle orchestration across different media. This book serves anyone moving beyond basic notation into the strategic decisions of instrumentation and voicing.

How to use it

Use this as the core text for a composition or orchestration course, assigning chapters aligned with the ensembles your students write for (concert band, orchestra, choir, film). Directors can reference specific sections when coaching student composers on voicing or when preparing students for composition competitions. High school and college music theory sequences benefit from its practical approach to what happens after the notes are written.

Skills your students will build

  • Orchestration techniques for wind and percussion sections
  • Voicing methods for brass, woodwind, and string instruments
  • Concert band and orchestral writing conventions
  • Choral scoring and part writing
  • Arranging for electronic instruments and media applications
  • Scoring for film and television

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