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The Art of Piano Playing: Piano Book

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The Art of Piano Playing: Piano Book

A Scientific Approach

By George Kochevitsky

Item: 00-0068

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So many of the great pianists and teachers have come out of Poland and Russia (Rubinstein, Anton as well as Arthur, Leschetizky, Paderewski, the Lhevinnes, Gilels, Richter, and others), yet we know little about their methods of learning and teaching. George Kochevitsky in The Art of Piano Playing supplies some important sources of information previously unavailable in this country. Russian sources alone occupy four columns of his bibliography on 'History and Theory of Pianism.' Additionally there are six columns of German sources and seven columns of sources in English. From these sources, tempered by this own thinking, Kochevitsky has formulated a scientific approach that can solve most problems of piano playing and teaching. George Kochevitsky graduated in 1930 from Leningrad Conservatory and did post-graduate work at Moscow Conservatory. Coming to the U.S., he has taught privately in New York City, given a number of lectures, and written for various music periodicals.

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Additional Details
Series: The Art of Series
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-87487-068-2
ISBN13: 978-0-87487-068-8
UPC: 029156218534
SKU: 00-0068

More about this title

About the Author: George Kochevitsky

George Kochevitsky brought the rigor of Russian and Eastern European piano pedagogy directly to American studios and conservatories. Trained at Leningrad Conservatory and Moscow Conservatory in the 1930s, he emerged from a tradition shaped by titans like Rubinstein, Leschetizky, and Paderewski, inheriting their accumulated wisdom about technique, interpretation, and the physical mechanics of masterful playing.

Settling in New York, Kochevitsky spent decades translating the insights of Russian and German pedagogical literature into practical, systematic method. Rather than present personal opinion, he synthesized decades of documented teaching approaches from Eastern Europe's most successful conservatories, creating a framework rooted in observable principles rather than mystique.

Why we love this

This is one of the few English-language books that actually excavates the Russian and Polish piano schools instead of describing them. Teachers will recognize immediately that Kochevitsky writes from inside the tradition, not as an outsider analyzing it. The scientific, systematic approach cuts through romantic notions of genius and offers real solutions to the technical problems students actually encounter.

What to expect

Reading Kochevitsky feels like sitting in on a master class from someone who studied with the masters themselves. The prose is methodical and sometimes dense, but the payoff is clarity: technique stripped of mystique and presented as a learnable, teachable system.

Who it's for

Piano teachers who want to understand the theoretical foundations behind their own training and who are ready to think systematically about technique. Advanced students preparing for higher-level study will find the rigorous approach illuminating.

How to get the most out of it

  • Study the historical context of the pedagogical sources Kochevitsky cites. Understanding which teachers developed which principles helps you apply them intentionally rather than mechanically.
  • Work through the technical problems presented in sequence rather than jumping to chapters that address your immediate concern. The progression builds conceptual understanding that transfers across different technical challenges.
  • Test each principle at the keyboard with your own hands before asking students to adopt it. Kochevitsky's method gains credibility when you can feel the difference yourself.
  • Cross-reference the exercises with standard repertoire you're already teaching. The techniques become concrete when connected to pieces students recognize.

How to use it

Use this as a reference text in your studio library and teacher education curriculum rather than as a performance method. Assign chapters to advanced students or studio teachers who are ready to deepen their understanding of why certain technical approaches work. The book serves as a corrective to methods that emphasize imitation over understanding.

Skills your students will build

  • Understanding the biomechanics of piano technique and how physical efficiency prevents injury
  • Distinguishing between tension patterns that impede playing and productive muscular engagement
  • Applying systematic analysis to technical problems rather than relying on trial and error
  • Connecting historical pedagogy to modern practice

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