The Art of Fugue BWV 1080 Vol.2 Cover Image

The Art of Fugue BWV 1080 Vol.2: Piano (Solo)

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The Art of Fugue BWV 1080 Vol.2 Cover Image

The Art of Fugue BWV 1080 Vol.2: Piano (Solo)

By Johann Sebastian Bach / ed. Christoph Wolff

Item: 98-EP8586B

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Description
The Art of Fugue BWV 1080 Vol. 2 for Harpsichord or Piano. This edition is based on the first printed edition of 1751, rather than the early autograph score dating from the early 1740s (for which please see EP8586a).

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 80
ISBN10: 0-01-406867-2
ISBN13: 979-0-0140-6867-7
SKU: 98-EP8586B

More about this title

About the Composer: Johann Sebastian Bach

Johann Sebastian Bach (1685-1750) was a German composer and keyboard virtuoso whose output spanned sacred and secular genres with unprecedented technical and harmonic sophistication. His mastery of counterpoint and fugal writing established the foundation for Western compositional practice; his influence extends from his immediate successors through contemporary classical music.

Bach spent much of his career in Leipzig as Cantor of St. Thomas Church, a position that required him to produce sacred music for the church calendar while simultaneously composing instrumental works that explored the boundaries of harmony and form. The Art of Fugue, compiled near the end of his life, represents his most systematic and comprehensive exploration of fugal technique.

Why we love this

This Edition Peters version anchors you to the 1751 first printed edition, giving pianists direct access to how Bach's work was disseminated and understood in his own era rather than through later editorial interventions. The 80-page score presents fugal architecture at its most disciplined and intellectually rigorous, rewarding pianists who thrive on contrapuntal clarity and structural mastery.

What to expect

Intellectually demanding yet deeply meditative, The Art of Fugue unfolds as pure musical architecture, where each voice maintains equal importance and every note serves both harmonic function and linear continuity. The cumulative effect of moving through these fugues is one of increasing mastery over material; patterns build, transform, and recombine in ways that challenge both mind and fingers.

Who it's for

Advanced pianists and serious students working toward repertoire mastery, as well as musicians interested in studying Bach's most systematic treatment of fugal procedure. This score appeals to performers preparing for advanced recitals, competitions, or examinations where Bach's keyboard works carry weight.

How to get the most out of it

  • Establish independent voice lines before building tempo; each voice deserves to sing with its own rhythmic integrity rather than blurring into the harmonic mass.
  • Practice each fugue by hands separately until you achieve secure voice independence, then combine only when both hands are secure at performance tempo.
  • Shape phrases by the subject entries rather than by harmonic breathing; this prevents the underlying architecture from becoming obscured.
  • Resist the urge to add pedal excessively; Bach's voice writing is lucid enough to carry without resonance, and clarity serves the counterpoint better than wash.

How to use it

Program individual fugues from this volume as standalone pieces for an all-Bach recital, where smaller selections allow audiences to absorb contrapuntal detail without fatigue. These works are also essential preparation for pianists tackling the Goldberg Variations or the Well-Tempered Clavier, as they train the independence and clarity these other major keyboard cycles demand.

Skills your students will build

  • Independent voice leading across both hands
  • Recognition and execution of fugal subjects, countersubjects, and stretto entries
  • Tracking multiple structural layers simultaneously
  • Voicing with clarity in dense contrapuntal textures
  • Baroque performance conventions including phrasing and ornamentation

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