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The Art of Flute Playing: Flute Book

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The Art of Flute Playing Cover Image

The Art of Flute Playing: Flute Book

By Edwin Putnik

Item: 00-0077

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Description
Edwin Putnik, like most other contributors to the The Art of series, has been a member of many prestigious symphony orchestras and university faculties. The Art of Flute Playing can aid students of all degrees of advancement. Part I is devoted to Basic Principles and Pedagogy, Part II to Artist Performance. Part I is particularly helpful not only to beginning flute students, but also to non-flutists teaching in school music programs.

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Additional Details
Series: The Art of Series
Publisher: Alfred Music
Page Count: 96
ISBN10: 0-87487-077-1
ISBN13: 978-0-87487-077-0
UPC: 724258007719
SKU: 00-0077

More about this title

About the Author: Edwin Putnik

Edwin Putnik brought decades of orchestral experience to the creation of The Art of Flute Playing, having performed with major symphony orchestras and taught at university level. His practical understanding of what separates capable players from accomplished musicians shaped a method that addresses both the mechanical and artistic sides of flute performance.

Why we love this

Putnik's two-part structure respects where students actually are rather than pretending everyone starts at the same place. Part I's focus on foundational pedagogy makes this genuinely useful for school music teachers who didn't study flute deeply themselves, while Part II gives serious students a pathway toward professional-level musicianship.

What to expect

The book moves methodically from breath control and embouchure through tone production and technical command, building confidence in each area before moving forward. You'll feel the difference between simply executing passages and understanding why they work the way they do.

Who it's for

Beginning and intermediate flute students benefit from the thorough grounding in Part I, while serious players preparing for advanced repertoire find the artist performance section valuable. Music teachers without flute specialization will find the pedagogical framework accessible and immediately applicable to their teaching.

How to get the most out of it

  • Return to Part I whenever you hit a technical wall; often the issue traces back to a foundational principle rather than a problem with the advanced passage itself.
  • Use Part II alongside solo repertoire and orchestral excerpts you're currently learning to connect artistic concepts directly to your own playing challenges.
  • Work through the pedagogical sections even if you consider yourself advanced; many flute teachers discover gaps in their own understanding of why certain techniques matter.

How to use it

Assign Part I sections as structured homework for flute students at various levels; the clear pedagogical organization lets each student work at their own pace within a coherent framework. For non-flute directors, the method serves as a teaching reference when you're working with flute students outside your primary specialty.

Skills your students will build

  • Embouchure formation and adjustment for tone quality
  • Breath control and support for sustained passages
  • Fingering techniques and alternative fingerings
  • Tone production across the full range
  • Artistic interpretation and performance concepts
  • Technical command of advanced passages and passages requiring rapid articulation

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