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The Art of Double Bass Playing: String Bass Book

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The Art of Double Bass Playing Cover Image

The Art of Double Bass Playing: String Bass Book

By Warren Benfield and James Seay Dean, Jr.

Item: 00-0081

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Description
The Art of Double Bass Playing is the result of a collaboration between Warren Benfield, an outstanding bassist/teacher and James Seay Dean, Jr., Associate Professor of English at the University of Wisconsin-Parkside, a skilled writer/editor. Warren Benfield started his professional career in 1934 as the youngest member of the Minneapolis Symphony. Moving on to the St. Louis Symphony as principal bass and then to the Philadelphia Orchestra as co-principal bass, he joined the Chicago Symphony in 1949 where he remained until his retirement in 1987. Benfield has always been dedicated to teaching, and during his years with the Chicago Symphony Orchestra, he was on the faculties of Northwestern University and DePaul University. He has also given many master classes and lectures, including two in China. Since retiring, he is continuing to teach a few students at the American Conservatory and at Chicago's Merit School for underprivileged children, which focuses on the arts. Benfield's particular aim is to teach the approach of the double bass from a musical, as well as a technical standpoint.

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Additional Details
Series: The Art of Series
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-87487-081-X
ISBN13: 978-0-87487-081-7
UPC: 029156152487
SKU: 00-0081

More about this title

Why we love this

Benfield brings five decades of orchestral bass experience directly into the page, having shaped the bass section of the Chicago Symphony through his musicianship and tenure there. The collaboration with Dean produces writing that grounds technique in musical intent rather than treating mechanics as an end in themselves. This is a pedagogical resource built by someone who taught at major universities and still works with students across skill levels.

What to expect

The approach feels purposeful and grounded. Rather than presenting exercises as isolated drills, the writing connects each technical idea to the musical problem it solves, creating a sense that every page serves your development as a musician, not just a technician.

Who it's for

This book serves serious bass students and young professionals refining their craft through systematic study. It works equally well for high school students beginning dedicated preparation for college auditions and for working musicians seeking to deepen their understanding of fundamentals.

How to get the most out of it

  • Study the musical context before isolating technical passages. Benfield's framework emphasizes understanding why a technique serves the phrase, not just executing it correctly.
  • Record yourself regularly as you work through the exercises. Self-listening builds the ear for intonation and tone quality that this book prioritizes alongside mechanical precision.
  • Use a practice journal to track which concepts from the text align with challenges in your orchestral excerpts or solo repertoire. Connection points strengthen retention.

How to use it

This functions best as a private lesson resource or independent study guide for students preparing for advanced ensemble placement or auditions. Teachers can assign specific sections to address technical gaps that emerge during orchestra or chamber rehearsals.

Skills your students will build

  • Foundation in bow control across different string regions and dynamics
  • Understanding intonation strategies for both solo and ensemble contexts
  • Left-hand position and shifting technique
  • Musical interpretation alongside technical execution
  • Tone production and sound awareness

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