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The Art of Bop Drumming: Drumset Book & Online Audio

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The Art of Bop Drumming Cover Image

The Art of Bop Drumming: Drumset Book & Online Audio

By John Riley / ed. Dan Thress

Item: 00-MMBK0056CD

$25.99
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Description
The definitive book on bop drumming---a style that is both the turning point and the cornerstone of contemporary music's development. This comprehensive book and audio presentation covers time playing, comping, soloing, brushes, more jazz essentials, and charts in an entertaining mix of text, music, and pertinent quotes.

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Sample Pages

Sample Audio
1 Satch and Diz --:--
2 What is this Thing Called --:--

Satch and Diz

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Additional Details
Series: Manhattan Music Publications
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-89898-890-X
ISBN13: 978-0-89898-890-1
UPC: 029156097658
SKU: 00-MMBK0056CD

More about this title

About the Author: John Riley

John Riley is a drummer, educator, and author whose work has shaped how musicians approach jazz vocabulary and technique. His publications have become standard references in jazz education, known for combining rigorous musicianship with accessible pedagogy.

Why we love this

This book cuts through the mystique of bebop drumming by teaching time playing, comping, and soloing as interconnected skills rather than separate techniques. The inclusion of recorded audio alongside notation gives students the rhythmic reference they need to internalize the pocket and phrasing of the style.

What to expect

Bebop drumming is all forward momentum and conversation. You'll discover the kinetic energy of swing eighth notes, the sharp punctuation of comping hits, and the discipline of locks that connect you to the band. This style demands precision paired with relaxation, a conversation where the drummer listens as much as leads.

Who it's for

This book serves jazz drummers at the intermediate level and beyond who want to deepen their command of bebop vocabulary and its role in contemporary jazz. It's equally valuable for drummers building a jazz foundation and for experienced players seeking to refine their time feel and comping language.

How to get the most out of it

  • Sing the comping phrases along with the recorded audio before playing them on the kit. This builds the melodic awareness that makes jazz drumming conversational rather than mechanical.
  • Practice the time-keeping exercises with a metronome on beat 2 and 4 only. This trains your internal pulse to sit behind the beat in true bop fashion.
  • Work through the brush techniques slowly and deliberately, listening closely to how the book's audio demonstrates the texture and swing of each strum pattern.
  • Study the provided charts in context with the solos and comping sections. Understanding how drummers support horn players and pianists is the bridge between technique and musicality.

How to use it

Use this as a centerpiece in your jazz curriculum for drummers working toward authentic bebop interpretation. Pair it with recordings of classic bop drummers to contextualize the techniques, or assign specific chapters as preparation for small ensemble playing where drummers need to comp and accompany.

Skills your students will build

  • Swing eighth-note feel and articulation at multiple tempos
  • Time playing on ride cymbal with distinct touch and dynamics
  • Comping vocabulary including kick drum and snare accents that respond to harmonic changes
  • Brush technique for ballads and latin feels
  • Soloing over changes and trading phrases with horn players
  • Reading and interpreting lead sheets in jazz notation

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