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The Art of Auditioning: Book

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The Art of Auditioning: Book

A Handbook for Singers, Accompanists and Coaches

By Anthony Legge

Item: 98-EP72067

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Description

Edition Peters, the world's leading publisher of vocal music for more than 200 years, has joined forces with Anthony Legge to produce this revised and updated edition of the best-selling guide - The Art of Auditioning. Essential reading for every aspiring and professional singer, it contains:

  • authoritative advice on how to approach and prepare for your auditions
  • a directory of more than two hundred recommended audition arias
  • information about what to expect after your first successful audition and how to prepare for professional engagements

Having won many competitions and survived many auditions - and now singing all over the world, including 250 performances of the role of Violetta, and having had the thrill of singing with Placido Domingo - I can recommend this book as an invaluable guide for achieving success. Ermonela Jaho, International Soprano

This invaluable and much needed guide to the process of auditioning includes a comprehensive list of suitable arias with helpful comments on how they should be performed. Singers and pianists alike will benefit greatly from it. Dame Anne Evans

Anthony Legge has worked regularly with the principal British opera companies, Opera Australia, many European opera companies and at Bayreuth, where he worked on The Ring and Die Meistersinger. He spends much time on audition and competition panels. His experience as a conductor, accompanist and vocal coach has given him a broad overview of the profession

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 200
ISBN10: 1-84-367059-3
ISBN13: 978-1-8436-7059-9
SKU: 98-EP72067

More about this title

About the Composer: Anthony Legge

Anthony Legge brings decades of operational experience from the world's major opera houses to this resource. His work as conductor, accompanist, and vocal coach across principal British opera companies, Opera Australia, European opera houses, and Bayreuth positions him as someone who has witnessed auditions from every angle of the profession.

Why we love this

This book cuts through the anxiety of audition preparation with concrete, actionable guidance from someone who has sat on audition panels and coached singers through the process. The directory of over 200 recommended arias with performance notes gives singers a curated starting point rather than the overwhelming task of searching through an entire repertoire. It addresses the often-overlooked territory of what happens after that first successful audition, preparing singers for the professional demands that follow.

Who it's for

This resource serves aspiring singers at the point when auditions shift from occasional to strategic, as well as young professionals building their first audition book. Voice teachers working with intermediate to advanced students will find the aria directory and performance guidance invaluable for repertoire consultation.

How to get the most out of it

  • Study the arias in the directory not just for the notes but for the performance insights Legge provides; his comments reflect what audition panels actually listen for.
  • Work through the preparation advice with your vocal coach before building your audition book; understanding the approach first prevents costly mistakes in song selection.
  • Pay particular attention to the sections on professional engagement and competition protocols; knowing what to expect removes guesswork from your audition strategy.

How to use it

Hand this to your vocal students when they begin competing or auditioning seriously; use the aria directory to guide repertoire selection for competitive seasons. Voice faculty can reference Legge's performance notes during coaching sessions to align teaching priorities with what audition panels expect.

Skills your students will build

  • Strategic audition repertoire selection
  • Understanding audition panel expectations and procedures
  • Preparation strategies for high-stakes vocal performance
  • Professional protocol for competitions and opera auditions
  • Performance considerations specific to audition arias

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