The Anonymous Ones (from Dear Evan Hansen) (arr. Mark Brymer): SATB Choral Octavo

Choirs love this arrangement because it captures the raw emotional stakes of the original without sacrificing singability. Mark Brymer writes for the voices that are actually in your rehearsal room, and the text about connection and being seen lands powerfully when sung by ensemble.

The music embodies a quiet moment of collective recognition, where vulnerability becomes strength. There's an intimacy to singing this piece that makes an audience feel let into something real and unguarded.

This arrangement works for choirs at the intermediate level and above who want contemporary material with genuine emotional weight. It's especially powerful for ensembles programming shows, films, or thematic concerts centered on teenage voices or social connection.

• Balance the exposed moments carefully; this piece thrives when all four parts sing with equal confidence and presence rather than one section dominating
• Pay attention to the lyrical phrasing, which often extends across traditional phrase boundaries. Let the storytelling drive your breath choices rather than resting on every bar line
• Experiment with dynamic contrast between sections or verses to build momentum toward the song's most impactful moments without pushing into oversinging

This sits naturally in concerts exploring modern musical theater repertoire or programming centered on youth experiences and mental health awareness. It also pairs well with other contemporary choral material as part of a set that prioritizes artistic relevance to your singers.

• Sustaining emotional connection across extended phrases
• Balancing part independence with ensemble blend
• Interpreting contemporary song lyrics with dramatic authenticity
• Managing dynamic gradations in intimate vocal writing