The Anonymous Ones (from Dear Evan Hansen) (arr. Mark Brymer) Sheet Music Preview

The Anonymous Ones (from Dear Evan Hansen) (arr. Mark Brymer): SSA Choral Octavo

By Benj Pasek, Justin Paul Amandla Stenberg / Arranged by Mark Brymer

Item: 35-DS01120720

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Additional Details
Publisher: Hal Leonard
Page Count: 17
SKU: 35-DS01120720

More about this title

About the Composer: Benj Pasek, Justin Paul Amandla Stenberg

Benj Pasek and Justin Paul have become the defining songwriting voice of contemporary musical theatre, earning Tony, Grammy, and Oscar recognition for their work on Dear Evan Hansen and The Greatest Showman. Their songs balance emotional vulnerability with theatrical accessibility, creating moments that resonate deeply with audiences across all ages. Their arrangements frequently appear in educational settings because they understand how to write for young voices without sacrificing artistic substance.

Why we love this

Mark Brymer's arrangement strips away the original's orchestral density and centers the emotional core of the song, making it ideal for building tone and musicality in young singers. The SSA voicing sits perfectly for treble ensembles while remaining accessible to mixed groups tackling it with lighter voices. This piece builds awareness of contemporary songwriting standards without relying on pop clichés.

What to expect

Introspective and intimate, this arrangement creates space for vulnerability within the group setting. The harmonic language feels modern and slightly unsettled, reflecting the song's exploration of identity and belonging.

Who it's for

Choirs at the high school level and above will connect immediately with the emotional maturity of this material. It works beautifully for ensembles seeking contemporary repertoire that challenges musicianship without requiring extended vocal techniques.

How to get the most out of it

  • Shape the phrases by thinking through the text first. The melody follows the emotional arc of each lyric, so singers who understand what they're expressing will naturally find the right dynamic contours.
  • Balance the harmony by having singers mark which notes carry the melody in their section. Movement between voices happens frequently, and clarity requires knowing when to support versus lead.
  • Record yourself early and listen as an ensemble. Contemporary music often has surprising harmonic clusters that sound intentional only when every voice commits to pitch accuracy.

How to use it

Program this in a concert focused on contemporary musical theatre or as a centerpiece for exploring how Broadway songwriting has evolved. It pairs well with other modern pieces and offers a compelling contrast to classical choral standards.

Skills your students will build

  • Voice independence in SSA texture with frequent melodic movement between parts
  • Emotional communication through lyrical phrasing and dynamic control
  • Harmonic awareness in contemporary songwriting idioms
  • Intonation in close voiced chords typical of modern theatre arrangements

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