The Angel's Carol Cover Image

The Angel's Carol: SATB, <i>a cappella</i> Choral Octavo

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The Angel's Carol Cover Image

The Angel's Carol: SATB, a cappella Choral Octavo

By Colin Matthews

Item: 12-0571523102

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Description
This beautiful setting of Sarah Teasdale's Christmas Carol, is the latest addition to the Faber New Choral Works Series. Originally, the work was composed for the South Petherton combined Arts Society Choir, and first performed under the direction of Roger Stacey on 14th December 2002.

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Additional Details
Series: Faber Edition: Faber New Choral Works
Publisher: Faber Music
ISBN10: 0-571-52310-2
ISBN13: 978-0-571-52310-8
UPC: 9780571523108
SKU: 12-0571523102

More about this title

About the Composer: Colin Matthews

Colin Matthews is a British composer known for his orchestral works, chamber music, and choral compositions. His writing combines clarity of structure with lyrical invention, and he has contributed significantly to the contemporary choral repertoire through commissions and new works for choirs across the UK.

Why we love this

Matthews brings genuine musical substance to a beloved poem, creating something that feels both modern and timeless. The unaccompanied setting demands vocal excellence from your ensemble while remaining accessible to singers who know how to blend and balance; there's nothing wasted here, just pure choral writing that lets the text and voice parts speak.

What to expect

Luminous and contemplative, with moments of quiet radiance. The Carol unfolds with the intimacy of a cappella writing, inviting listeners into a reflective space that honors both the poetry and the season without sentimentality.

Who it's for

SATB choirs with solid intonation and blend, including college, community, and advanced high school ensembles. This work rewards singers who have experience with contemporary choral literature and understand the demands of unaccompanied singing.

How to get the most out of it

  • Shape the phrasing around the natural speech rhythm of Teasdale's text rather than imposing regular phrase breaks; the poetry guides the breath and line.
  • Balance all four parts equally in the opening sections, resisting the temptation to push soloistic voices to the front. This is ensemble writing.
  • Rehearse individually by part to secure each voice's melodic independence, then blend gradually so intonation and vowel consistency improve across the full score.
  • Pay attention to dynamic contrasts marked in the score; without instrumental support, even subtle shifts in volume create shape and forward motion.

How to use it

Place this as a centerpiece in a Christmas concert, particularly if your program includes other contemporary or varied choral works. It pairs well with both older sacred repertoire and modern carols, offering a sophisticated alternative to traditional settings while remaining accessible to holiday audiences.

Skills your students will build

  • Reading and singing contemporary choral idioms with accuracy and confidence
  • Maintaining independent vocal lines while blending seamlessly in a cappella texture
  • Shaping musical phrasing around poetic text rather than regular musical measures
  • Achieving precise intonation and balance without instrumental reference

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