The Age Of Not Believing (from Bedknobs And Broomsticks) Sheet Music Preview

The Age Of Not Believing (from Bedknobs And Broomsticks): E-Z Play Today

As performed by Angela Lansbury

Item: 35-DS00494466

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Description

The Age Of Not Believing (from Bedknobs And Broomsticks): E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00494466

More about this title

About the Artist: Angela Lansbury

Angela Lansbury brought warmth and theatrical sophistication to every role she inhabited across stage and screen. Her performance as Mary Poppins-like enchantress Miss Eglantine Price in the 1971 Disney film Bedknobs and Broomsticks showcased her gifts for whimsy and emotional authenticity, making her rendition of this song both accessible and deeply moving for young audiences.

Why we love this

Students recognize this melody instantly, which means you can focus on genuine musicality rather than fighting for attention. The E-Z Play arrangement strips away complexity without sacrificing the charm of Lansbury's iconic interpretation, making it ideal for younger pianists or those building confidence in melodic expression.

What to expect

Nostalgic and gently optimistic, with a quality of quiet wonder that invites rather than demands attention. The melody unfolds like a secret being shared, creating space for pianists to add their own interpretive choices.

Who it's for

Young pianists and elementary students learning to connect sung melody with keyboard technique. Teachers searching for repertoire that bridges film music and classical piano study will find this arrangement engages students who might otherwise resist traditional method book material.

How to get the most out of it

  • Shape the melody with gentle dynamic swell rather than mechanical accent; the enchantment lives in the contour, not the punctuation.
  • Maintain a conversational tempo that honors the lyrical quality of the original without dragging.
  • Balance the left hand accompaniment so the melody emerges naturally without you forcing it above the texture.

How to use it

Pair this with other accessible film arrangements for a "Songs from Cinema" school assembly or concert segment. It also works beautifully as a palate cleanser between more vigorous pieces in a student recital, offering the audience a moment of reflection.

Skills your students will build

  • Reading treble clef notation with steady quarter and eighth note rhythms
  • Producing singing tone in the right hand while maintaining rhythmic independence in the left
  • Managing dynamic control across a simple melody spanning one to two octaves
  • Understanding phrase structure in familiar, narrative-driven music

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