That Time Of Year (arr. Mark Brymer): 2-Part Choral Octavo

Mark Brymer's arrangement strips away complexity without sacrificing charm, making this accessible for mixed-ability middle school and early high school choirs while keeping the original's infectious spirit intact. The two-part voicing allows singers to focus on lyrical phrasing and ensemble blend rather than navigating tricky harmonies, and the Disney pedigree guarantees student engagement. Directors will appreciate having a contemporary holiday selection that feels genuinely fun to rehearse and perform rather than obligation.

Cozy and bright, with the kind of infectious warmth that makes you want to share the song with others. The arrangement balances playful humor with genuine tenderness, creating a performance that feels like watching friends celebrate together rather than sitting through a formal recital.

Young choirs ready to tackle their first contemporary holiday offerings, as well as directors seeking repertoire that will genuinely excite rehearsals rather than feel like filler. This works especially well for programs that blend classical and pop sensibilities, or for schools where student familiarity with the original recording can boost confidence and engagement.

• Nail the rhythmic precision during the verse sections so the bouncy energy lands without sounding mechanical; this arrangement thrives on conversational give-and-take between the parts.
• Balance the two parts carefully in slower, more lyrical moments so neither voice gets buried; mark dynamic shifts clearly during rehearsal to prevent one part from overshadowing the other.
• Encourage singers to lean into the character and storytelling aspects of the text; this piece rewards performers who commit emotionally to the holiday sentiment rather than coasting through the arrangement.

Slot this into a winter or holiday concert to immediately shift the energy and remind audiences why seasonal music matters to young singers. It pairs well with a mix of traditional carols and art songs, giving the program texture and variety while serving as a crowd-pleaser that sends audiences home humming.

• Maintaining rhythmic independence between two parts during syncopated passages
• Blending parts in unison or octave passages while preserving individual line clarity
• Sustaining phrase energy through contemporary phrasing and diction
• Building confidence with recognizable popular music in a choral setting