That's What I Like Sheet Music Preview

That's What I Like: E-Z Play Today

As performed by Bruno Mars

Item: 35-DS00457894

Digital Download
$4.99
Description

That's What I Like: E-Z Play Today isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00457894

More about this title

About the Artist: Bruno Mars

Bruno Mars emerged as a pop virtuoso in the 2010s, crafting infectious melodies and polished production that drew from funk, R&B, soul, and disco. His songwriting and performance work showcase a deep reverence for classic groove music while speaking directly to contemporary pop audiences. For music educators, his catalog offers accessible entry points into funk rhythms, syncopation, and the art of building irresistible hooks.

Why we love this

This arrangement captures the undeniable groove and accessibility that makes Bruno Mars so appealing to student musicians. The eight-page layout provides enough substance to develop performance skills without overwhelming learners, and the disco-pop sensibility keeps engagement high during rehearsals.

What to expect

The energy is irrepressible and celebratory, built on funk-derived rhythms and tight harmonic movement that keeps listeners moving. The disco undercurrents give it a retro shimmer while the pop sensibility keeps it feeling fresh and current.

Who it's for

This arrangement works for intermediate pianists who want to develop their sense of modern popular music and groove-based composition. It's equally valuable for ensemble work or as a solo performance piece in a casual or educational setting.

How to get the most out of it

  • Lock into the disco-influenced groove by feeling the pocket rather than rushing; let the syncopation sit comfortably within the beat.
  • Balance the bass line and upper melody so neither dominates; both elements carry the song's personality.
  • Use the recorded accompaniment as a timing reference, but don't become dependent on it. Practice isolated sections without it to build rhythmic independence.

How to use it

Include this in a concert exploring contemporary pop arrangements or as a bridge between classical and commercial music in your curriculum. It also serves as an engaging warm-up or finale that acknowledges student interests in current popular music.

Skills your students will build

  • Syncopated rhythm reading in a contemporary pop context
  • Groove-based feel and pocket playing
  • Balancing melody and accompaniment within a single staff arrangement
  • Interpreting funk and disco stylistic elements on piano

You May Also Like