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That's What I Like: Concert Band Conductor Score & Parts

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That's What I Like: Concert Band Conductor Score & Parts

As Performed by Bruno Mars

Words and music by Christopher Brown, Jeremy Reeves, Jonathan Yip, Bruno Mars, Philip Lawrence, James Fauntleroy, Ray Romulus, and Ray McCullough II / arr. Michael Story

Grade: 2 (Easy)

Item: 00-46628

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Description
Bruno Mars never disappoints with his upbeat, happy tunes---each with a charismatic ear-wig that keeps them coming back for more. This straightforward arrangement of the 2017 GRAMMY® Award-winning Song of the Year, meets that standard and is a bold addition to any middle or junior high program. It would be a welcome addition to a high school concert as well. Everyone will enjoy this chart topper on your next performance.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, That's What I Like: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Young Band
Publisher: Alfred Music
Page Count: 166
UPC: 038081532738
SKU: 00-46628

More about this title

Why we love this

Michael Story's arrangement captures the infectious groove and modern production feel of the original without overcomplicating the parts for younger players. The instrumentation sits perfectly in the sweet spot where middle schoolers get to play something genuinely contemporary and radio-friendly, while high school groups find real musical substance in the arrangement. It's the kind of chart that builds genuine enthusiasm for rehearsal.

What to expect

Smooth, groovy, and unapologetically modern. The arrangement channels the upbeat charm of the original hit, with bright colors in the brass and clean articulation in the reeds that keep the energy propulsive without feeling frantic.

Who it's for

Middle school and junior high bands looking for repertoire that speaks to their students' actual musical world. High school concert bands can program this as a crowd-pleasing opener or closer that demonstrates the group's versatility.

How to get the most out of it

  • Lock the rhythm section (drums, bass, piano) first. The groove is everything in this chart; once that pocket is solid, the rest of the band will sit naturally into the pocket.
  • Pay attention to the syncopated figures in the reeds and brass. They should sit slightly laid-back against the beat rather than pushing ahead, which gives the arrangement its characteristic swagger.
  • Use the dynamics marked in the score to shape phrases rather than playing at a constant volume. The rises and falls in the arrangement create the emotional arc of the tune.
  • Balance the melodic lines between sections. Often multiple parts carry fragments of the main hook; blend them so no single section dominates the texture.

How to use it

Open a concert with this to immediately connect with your audience and set a conversational, contemporary tone for the program. It pairs well alongside other accessible pop or musical theatre charts, or anchor a family concert where you want the band to feel current and engaging.

Skills your students will build

  • Groove-based rhythm reading in straight-eighth and syncopated contexts
  • Articulation clarity and style in pop idiom
  • Part independence within a cohesive ensemble texture
  • Dynamic shaping and phrase balancing across multiple instrumental sections

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