That's Christmas To Me (arr. Mark Brymer) Sheet Music Preview

That's Christmas To Me (arr. Mark Brymer): SAB Choral Octavo

As performed by Pentatonix / Arranged by Mark Brymer

Item: 35-DS00309243

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS00309243

More about this title

About the Artist: Pentatonix

Pentatonix emerged as a five-voice a cappella ensemble that redefined what vocal percussion and layered harmony could accomplish in contemporary music. Their approach to arrangement emphasizes precision tuning, rhythmic tightness, and the kind of vocal texture that feels both intimate and expansive, qualities they've brought to both original compositions and reimagined standards.

For music educators, Pentatonix represents a bridge between popular music and choral artistry. Their arrangements demand technical control while remaining accessible to singers who engage with contemporary styles, making them valuable models for developing ensemble cohesion and modern vocal techniques.

Why we love this

Mark Brymer's arrangement captures the warmth and rhythmic vitality of the original while making it genuinely singable for three-part ensembles. The piece balances the infectious groove that listeners know with harmonic clarity that doesn't require advanced sight-reading, so your singers stay focused on locking in the pocket rather than decoding complicated voicings.

What to expect

Bright and propulsive, with the kind of groove that invites audiences in immediately. The arrangement maintains the original's infectious joy while giving it a choral intimacy, creating a sound that's both polished and genuinely human.

Who it's for

Three-part choirs looking to program something that feels current and energetic without sacrificing harmonic sophistication. This works equally well for holiday concerts seeking a modern alternative to traditional carols and for groups that want to demonstrate contemporary arranging craft.

How to get the most out of it

  • Nail the rhythmic precision first. The momentum of this piece comes from locked attacks and releases; spend rehearsals early on ensuring all three parts move together as a single unit rather than independent voice lines.
  • Work the vowel consistency across registers. The bright, contemporary sound relies on uniformity within each section, especially where Brymer extends lines into the upper range.
  • Let the soloists breathe. If you're casting solo passages, give them space to express the melody while the background parts stay steady and supportive.
  • Don't oversell the arrangement. The charm is in its directness; clarity of text and confident rhythm matter more than dynamic extremes.

How to use it

Close a holiday concert with this piece to send audiences out with forward momentum and contemporary energy. It pairs beautifully as a contrast to more traditional seasonal selections, and works especially well when programmed alongside other pop or contemporary arrangements that showcase your ensemble's versatility.

Skills your students will build

  • Rhythmic precision and ensemble lock in contemporary styles
  • Consistent vowel production across extended ranges
  • Tuning within jazz-influenced harmonies
  • Balancing melodic interest with supportive background texture
  • Interpretation of contemporary vocal music notation and style markings

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