That's Christmas To Me (arr. Audrey Snyder) Sheet Music Preview

That's Christmas To Me (arr. Audrey Snyder): SSA Choral Octavo

As performed by Pentatonix / Arranged by Audrey Snyder

Item: 35-DS01147656

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01147656

More about this title

About the Artist: Pentatonix

Pentatonix emerged from the American competitive a cappella scene and became a global phenomenon by demonstrating that vocal percussion, tight harmonies, and contemporary pop arrangements could captivate mainstream audiences. Their success in touring and recording has introduced millions of listeners to the possibilities of ensemble singing without instrumental accompaniment, making them influential models for student groups seeking to build modern, engaging repertoires.

The group's arrangements prioritize singability within complex textures, balancing creative production choices with parts that remain achievable for high school and community choirs. This philosophy makes their work particularly valuable for educators seeking to connect student singers with music their peers actually listen to.

Why we love this

Audrey Snyder's SSA voicing captures the warmth and sophistication that made the original recording resonate with audiences, while making the part writing accessible for the typical high school choir. The arrangement honors the a cappella tradition these singers pioneered, giving your ensemble a chance to perform a contemporary holiday piece that feels current rather than novelty.

What to expect

Joyful and modern, with the kind of easy warmth that makes audiences smile immediately. The a cappella texture creates intimacy while the contemporary groove keeps the energy buoyant and youthful throughout.

Who it's for

SSA or SSAA choirs looking to program contemporary holiday music that connects with student singers and audiences alike. This arrangement works equally well for school holiday concerts, community performances, or pop-focused showcase events.

How to get the most out of it

  • Build the percussive foundation by establishing a clear pulse section among your singers; the groove depends on rhythmic precision across all three parts working as a single unit.
  • Balance the homophonic sections against moments where one part carries the hook so that the arrangement's layering reads clearly to the audience.
  • Record yourself rehearsing the blend regularly. Without instrumental reference, acoustic balance becomes your responsibility and your most audible asset.
  • Explore the dynamics carefully; SSA voicing benefits from generous dynamic contrast that prevents the lighter texture from feeling thin during fuller chords.

How to use it

Place this among your holiday selections when you want a piece that reads as genuinely current to student musicians and listeners under thirty. It pairs well alongside both traditional carols and other contemporary pop arrangements, offering variety without tonal whiplash if programmed thoughtfully in a concert's arc.

Skills your students will build

  • Singing in a cappella blend and balance without instrumental reference
  • Layering independent rhythmic patterns while maintaining ensemble cohesion
  • Interpreting contemporary pop phrasing in a choral context
  • Creating percussive and rhythmic interest through vocal texture alone

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