That's All Sheet Music Preview

That's All: Lead Sheet / Fake Book

As performed by Genesis

Item: 35-DS00377795

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$3.99
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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00377795

More about this title

About the Artist: Genesis

Genesis emerged from the Cambridge progressive rock scene in the late 1960s and became one of the defining bands of the 1970s and 1980s. Under the songwriting partnership of Tony Banks, Mike Rutherford, and vocalist Phil Collins (who joined as drummer in 1970 before becoming frontman), the band crafted intricate arrangements that blended rock instrumentation with pop sensibility. Their influence on both progressive and mainstream rock remains substantial in music education contexts, particularly when teaching song arrangement, harmonic sophistication, and the evolution of rock composition.

Why we love this

This lead sheet captures one of Genesis's most elegant pop compositions, showcasing the band's gift for writing melodies that sit naturally over sophisticated chord changes. Pianists and keyboardists benefit from interpreting a piece that demands both technical fluency and nuanced phrasing, making it valuable for developing interpretive maturity alongside reading skills.

What to expect

Wistful and introspective, with enough harmonic color to engage the ear without ever becoming overwrought. The piece carries a quietly confident elegance, the kind that rewards close listening and careful touch.

Who it's for

Pianists and keyboard players working on pop repertoire who want to deepen their skills in reading chord changes and voicing decisions. Singers and vocalists benefit from the lead sheet format to explore melody interpretation without being locked into a single arrangement.

How to get the most out of it

  • Balance the melody line with left-hand voicings that don't overshadow the tune; this piece breathes when you give the harmony space rather than filling every beat.
  • Pay attention to the harmonic rhythm and how it shifts between sections; subtle tempo flexibility in transitions will make the arrangement feel intentional rather than metronomic.
  • If adding improvisation or embellishment, stay true to the song's restrained aesthetic; Genesis favored economy of gesture, so less is almost always more here.

How to use it

Include this in a contemporary music unit that bridges rock composition into the formal study of melody and harmony. It pairs naturally with other pop and rock standards when building a keyboard repertoire that acknowledges the full spectrum of twentieth-century songwriting.

Skills your students will build

  • Reading and interpreting chord symbols in a pop context
  • Voicing decisions for piano comping and accompaniment
  • Phrasing melodic lines over changing harmonic rhythms
  • Understanding song form in contemporary popular music

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