That Old Black Magic Sheet Music Preview

That Old Black Magic: Lead Sheet / Fake Book

Item: 35-DS00457090

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$3.99
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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS00457090

More about this title

About the Creator: Harold Arlen

Harold Arlen composed "That Old Black Magic" in 1942 for the film "Star Spangled Rhythm." Working with lyricist Johnny Mercer, Arlen created one of the Great American Songbook's most sophisticated standards, a piece that demands both harmonic fluency and interpretive maturity from any performer who takes it on.

Arlen's melodic gift shines throughout this standard. The tune rewards singers and instrumentalists who understand how to navigate its chromatic passages and unexpected harmonic turns. It remains a cornerstone of the jazz repertoire and a proving ground for musicians developing their voice as improvisers and interpreters.

Why we love this

This standard sits at the intersection of accessibility and sophistication. The lead sheet format strips away the accompaniment, forcing pianists and singers to truly own the melody and understand the harmonic journey underneath it. It's the kind of tune that sounds deceptively simple on first hearing but reveals new details with each encounter.

What to expect

Sultry and mysterious, with an undercurrent of romance and a touch of darkness. The melody curves and bends in unexpected ways, creating a sense of intrigue that pulls the listener in. There's elegance here, but never coldness; this is a tune with warmth and personality.

Who it's for

Pianists and singers working toward jazz fluency will find this a rewarding challenge. It suits intermediate to advanced students ready to grapple with sophisticated harmonies and develop their interpretive voice.

How to get the most out of it

  • Study the chromatic movement in the melody carefully. Arlen's writing pulls the line away from obvious resolutions, so map these moments explicitly before performing.
  • Lock the tempo early. The feel of this tune matters as much as the notes themselves; experiment with both a swung jazz feel and a straight interpretation to discover which serves your arrangement.
  • Let the silence speak. This standard benefits from space and breath between phrases. Resist the urge to fill every moment; the melody is strong enough to carry the weight of space.

How to use it

Pair it with other Arlen standards or mid-century American songbook material for a focused concert set. It works equally well as a solo feature or within a jazz ensemble context where the melody can be reharmonized or traded between voices.

Skills your students will build

  • reading chromatic melody lines with confidence
  • understanding jazz harmony and chord substitution
  • interpreting swing rhythm and phrasing conventions
  • developing solo interpretation and personal voice within the standard repertoire

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