That Man (arr. Hans Reintjes): SATB Choral Octavo

Hans Reintjes has crafted an arrangement that honors Caro Emerald's sultry vocal character while giving choirs genuine harmonic interest. The piece sits comfortably in SATB voices without sacrificing the sophisticated jazz and pop sensibilities that make the original so compelling.

Smooth and sophisticated, with an undercurrent of cool confidence. The arrangement maintains the original's intimate quality while building moments of warmth and vocal richness that come from four-part harmony.

Choirs seeking contemporary repertoire with jazz and pop sensibilities will find this arrangement rewards both singers and audiences. It works for groups comfortable with modern idioms who want something more refined than typical pop choir fare.

• Shape the melodic line with the vocal sophistication of the original; this isn't a belted pop anthem but rather a more introspective, cool interpretation.
• Balance the voicing so the alto and tenor lines don't disappear into harmonic filler. These inner parts carry important color and movement.
• Establish a steady rhythmic pocket early in rehearsal. The groove needs precision even as the arrangement maintains interpretive flexibility.
• Pay attention to consonant clarity on sustained harmonies, especially in transitions between sections where blend becomes critical.

This works beautifully on a pops concert or a program exploring contemporary vocal music. Pair it with other modern pieces or position it as a sophisticated bridge between classical and contemporary repertoire.

• Singing jazz-influenced vocal lines with appropriate stylistic inflection
• Balancing inner voice independence within a cohesive harmonic texture
• Interpreting pop and soul idioms with musical maturity
• Maintaining rhythmic precision in grooved accompaniment patterns