That Man (arr. Hans Reintjes) Sheet Music Preview

That Man (arr. Hans Reintjes): SSAA Choral Octavo

As performed by Caro Emerald / Arranged by Hans Reintjes

Item: 35-DS00487073

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Additional Details
Publisher: Hal Leonard
Page Count: 167
SKU: 35-DS00487073

More about this title

About the Artist: Caro Emerald

Caro Emerald is a Dutch singer and songwriter who emerged in the late 2000s with a distinctive blend of jazz, pop, and vintage aesthetics. Her polished vocal style and meticulously crafted arrangements have made her recordings appealing to choral arrangers seeking accessible yet sophisticated pop repertoire.

Her music translates well to ensemble settings because it values musicality and harmonic clarity alongside contemporary appeal. For choral directors, her catalog offers a bridge between pop programming and vocal refinement.

Why we love this

Hans Reintjes has crafted an arrangement that respects the original's polished, jazzy sensibility while remaining practical for SSA/SSAA choirs. The piece sits comfortably for female voices and gives singers genuinely satisfying harmonic material instead of doubling the melody line throughout. Programming this offers a stylistic shift that audiences recognize immediately, making it useful for variety without sacrificing musicianship.

What to expect

Sophisticated and groovy. The piece carries vintage swing and jazz influences while maintaining a modern pop sensibility, creating something that feels both current and timeless. Singers experience the satisfaction of blending smooth vocal lines over rhythmic precision.

Who it's for

Choirs with solid sight-reading skills and comfort with pop idioms will find this accessible and rewarding. Directors seeking contemporary pop arrangements that don't require simplified voicings or compromised musicality have found their answer.

How to get the most out of it

  • Emphasize the rhythm section precision from the first rehearsal. The groove depends on locking the subdivision, not rushing through it.
  • Balance the top line against interior voices carefully. Reintjes writes interesting inner parts that shouldn't disappear behind a soloistic soprano.
  • Use the dynamic contrasts to shape phrases rather than sustain one volume throughout. The original's sophistication lives in its quiet moments.

How to use it

This works beautifully on a concert that mixes classical and contemporary repertoire, where it can anchor the pop segment without apologizing for the genre. It's substantial enough (167 pages suggests a full choral work or extended arrangement) to hold its weight alongside traditional choral fare. Consider it for a spring concert that leans toward accessible programming or a cabaret-style event where stylistic variety is the point.

Skills your students will build

  • Jazz phrasing and swing rhythm feel
  • Harmonic independence in SSAA texture
  • Pop arrangement conventions and groove maintenance
  • Ensemble balance with active interior voices

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