That Christmas Feeling Sheet Music Preview

That Christmas Feeling: Ukulele

As performed by George David Weiss

Item: 35-DS00440908

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00440908

More about this title

About the Artist: George David Weiss

George David Weiss carved out a significant career as a songwriter and composer, contributing to the Great American Songbook with works that have been recorded across multiple genres and decades. His compositions demonstrate a gift for memorable melody and harmonic sophistication, qualities that have made his music a staple in jazz standards repertoires and popular vocal traditions.

Weiss's work spans film, theater, and popular music, showcasing his versatility as a writer. His pieces continue to appeal to musicians seeking material with both commercial appeal and genuine musical substance, making them valuable additions to any ensemble's repertoire.

Why we love this

This arrangement captures the warmth of a jazz standard through the intimate lens of ukulele, creating an accessible entry point into swing vocabulary without sacrificing sophistication. The two-page format makes it manageable for students while the harmonic movement keeps intermediate players engaged and thinking about chord changes in a contemporary context.

What to expect

Cozy and reflective with an understated sophistication. The arrangement unfolds with the ease of a conversation between old friends, balancing the ukulele's natural brightness against the deeper harmonic colors suggested by the arrangement.

Who it's for

Intermediate ukulele players who want to explore jazz standards and students looking for accessible ways to develop swing feel and harmonic awareness. Directors seeking lightweight but musically substantive holiday repertoire for small ensembles or solo features will find this particularly useful.

How to get the most out of it

  • Listen closely to how the rhythm section interprets the swing feel; ukulele comping works best when you lock into that relaxed behind-the-beat pocket rather than playing on top of the beat.
  • Shape the melody phrase by phrase instead of treating it as one continuous line; this approach helps the standard's lyrical intent come through even on an instrument not typically associated with singing.
  • Balance chord voicing against melodic clarity. The ukulele's limited range means every note choice matters, so consider which inversions keep the harmony present without muddying the top line.
  • Let silence work for you. Don't feel obligated to fill every space with strumming or comping; the instrument's natural resonance does substantial work on its own.

How to use it

Feature this during an intimate holiday concert segment or showcase it as a solo turn in a larger ensemble program to highlight your ukulele students' jazz chops. It works equally well as a warmup piece for teaching jazz phrasing or as a bridge between classical and contemporary repertoire in curriculum planning.

Skills your students will build

  • Swing rhythm and feel in a jazz context
  • Chord voicing and comping techniques on ukulele
  • Phrase shaping and melodic interpretation in standards
  • Reading chord charts and understanding harmonic progression
  • Balance between accompaniment and soloing roles

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