Tenth Regiment March Cover Image

Tenth Regiment March: Concert Band Conductor Score & Parts

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Tenth Regiment March Cover Image

Tenth Regiment March: Concert Band Conductor Score & Parts

By Robert Brown Hall / arr. Andrew Balent

Grade: 3

Item: 98-B1209

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Description
Robert Browne Hall was a virtuoso cornet player, an outstanding bandmaster, and the composer of many fine marches. This excellent arrangement by Andrew Balent captures all the flair of a traditional concert march and makes the perfect addition to your next performance. An excellent choice and a wonderful way to work on 6/8 with your ensemble.

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Additional Details
Series: FJH Concert Band
Publisher: The FJH Music Company, Inc.
UPC: 674398214082
SKU: 98-B1209

More about this title

About the Composer: Robert Brown Hall

Robert Brown Hall built his reputation as both a virtuoso cornet soloist and a bandmaster who understood what made music work on the concert stage. His marches became staples of the American brass band repertoire, combining technical brilliance with genuine melodic appeal that audiences never tired of hearing.

Why we love this

Andrew Balent's arrangement preserves Hall's gift for straightforward, elegant march writing while giving your ensemble something genuinely useful: a Grade 3 piece that teaches 6/8 meter without sounding didactic. The orchestration sits perfectly in the middle school and young high school sweet spot, challenging enough to feel like a real concert march but accessible enough that your musicians can focus on the meter work rather than struggle with the notes.

What to expect

Crisp and straightforward, like a march that respects its audience without pretending to be something grander than it is. The 6/8 meter gives it a gentler lilt than a duple-meter march, and the orchestration has warmth alongside its precision.

Who it's for

Concert bands working with intermediate players who need solid footing in 6/8 meter, or any director looking for a march that feels substantial without requiring advanced technique. This works equally well as a concert opener or as part of a patriotic or Americana-themed program.

How to get the most out of it

  • Let the 6/8 swing naturally without over-conducting. The traditional march style wants a lilting feel, not mechanical precision.
  • Balance the melody across your clarinet and cornet sections so the piece sings clearly; 6/8 demands good phrasing to land properly.
  • Bring out the counter-melody when it appears in the lower reeds and brass; it's what gives this march its character beyond the main tune.
  • Keep the accompaniment figures crisp and uniform, especially in the transition passages where the meter might feel less grounded.

How to use it

Program this early in your concert season when you're solidifying meter fundamentals, or save it for a spring pops concert where traditional march style gets an audience. It pairs naturally with other Hall arrangements or vintage American march repertoire.

Skills your students will build

  • Reading and executing 6/8 meter across full ensemble
  • Phrasing in compound meter
  • Balancing melody and counter-melody
  • Maintaining steady pulse in traditional march style
  • Articulation coordination within march-style figures

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