Ten Woodwind Trios Cover Image

Ten Woodwind Trios: Woodwind Trio Book

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Ten Woodwind Trios Cover Image

Ten Woodwind Trios: Woodwind Trio Book

Arr. Don Schaeffer

Grade: (III)

Item: 00-PROBK01060

$6.95
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Description
Arranged by Don Schaeffer, Ten Woodwind Trios presents 10 level 3 trios for woodwinds.

Titles:
* Rigadoon (Purcell)
* Air (Purcell)
* A Little Dance (Haydn)
* Minuet in C (Mozart)
* German Dance (Beethoven)
* March (Prokofieff)
* Lullaby (Stravinsky)
* Song (Bartók)
* Children at Play (Bartók)
* A Little Song (Kabelevsky).

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7692-5690-2
ISBN13: 978-0-7692-5690-0
UPC: 029156105988
SKU: 00-PROBK01060
Instrumentation: Fl, Ob, Cl or 3 Fl or 2 Fl, Cl

More about this title

Why we love this

Schaeffer has curated a remarkably cohesive set of pieces that moves students through centuries of musical style without sacrificing playability. The variety of composers and forms keeps rehearsals fresh while the consistent Grade 3 level ensures every trio can succeed without artificial simplification.

What to expect

A musical journey spanning elegant Baroque dances, classical courtly miniatures, and early twentieth-century character pieces. Each trio speaks in its own voice: some are graceful and intimate, others playful or gently lyrical, but all invite genuine musical conversation between the three parts.

Who it's for

Intermediate woodwind players ready to explore chamber music repertoire beyond simple duets. This collection suits school ensembles preparing for festival performances or students building confidence in small-group settings where each voice matters.

How to get the most out of it

  • Balance the three voices carefully at first reading; the flute naturally projects, so ask it to phrase more gently and invite the oboe and clarinet to step forward in passages marked for them.
  • Attend to phrase shape in the Baroque numbers (Rigadoon and Air). These pieces breathe naturally at period-appropriate cadences; shape each phrase as a small arc rather than pushing through to the next double bar.
  • When trios include flute doublings (3 flutes or 2 flutes and clarinet), assign parts thoughtfully rather than rotating them. Consistent voice assignments reduce relearning and help internalize the harmonic roles.
  • Work the march and dance movements at a steady tempo before increasing speed. These pieces gain their character from rhythmic clarity and ensemble precision, not from rushing.

How to use it

Program individual pieces within a larger chamber music concert, or perform the entire collection as a unified suite. Several pieces work well as concert openers or transitions between larger works, while others serve as engaging festival selections that showcase ensemble balance and style flexibility.

Skills your students will build

  • Reading and playing in multiple keys across classical and early modern styles
  • Balancing three independent melodic lines within a small ensemble
  • Phrasing across different musical periods (Baroque articulation, classical proportion, twentieth-century character)
  • Responding to score dynamics and textural cues in shared arrangements
  • Maintaining rhythmic precision in dances and marcato passages

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