Temple in the Clouds Cover Image

Temple in the Clouds: Concert Band Conductor Score

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Temple in the Clouds Cover Image

Temple in the Clouds: Concert Band Conductor Score

By David Marlatt

Grade: 4

Item: 81-CB11211S

$10.00
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Description
This piece is an ethereal and effective work for winds, piano, and percussion. It opens with three solo flutes echoing a call as if it were played on a mountain top. Various soloists are featured throughout, including flute, oboe, clarinet, and alto saxophone. Full sonorous brass section moments contrast the clear, lightly scored woodwind texture. Powerful and transparent. (5:00)
"This colorful work will program well as a change-of-pace moment"

- The Instrumentalist

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 16
ISBN10: 1-55473-760-5
ISBN13: 978-1-55473-760-4
UPC: 685462017614
SKU: 81-CB11211S

More about this title

About the Composer: David Marlatt

David Marlatt is a composer whose works for concert band and wind ensemble have earned recognition for their musical craftsmanship and accessibility across grade levels. His compositions balance clarity of orchestration with harmonic sophistication, making them valuable additions to educational and professional ensemble libraries.

Why we love this

The transparent scoring and measured pacing give conductors genuine interpretive choices without requiring orchestral resources or additional musicians. Solo and sectional features mean students at every stand get meaningful musical moments, and the programmatic nature invites directors to program it strategically as a concert arc rather than just another work in a set list.

What to expect

Like standing in a high place where sound carries differently than it does below. The flute dialogue opens a space that other instruments gradually inhabit, and moments of full sonority emerge with weight precisely because the surrounding texture remains crystalline.

Who it's for

Concert bands at the high school or early college level seeking a piece that showcases sectional and solo musicianship without excessive difficulty. Directors programming concerts that benefit from a change of pace, particularly when other selections are energetic or substantial.

How to get the most out of it

  • Balance the opening flute solos as a true ensemble call, letting the three voices blend before the texture expands. These opening measures set the piece's character of stillness.
  • Shape each featured solo (oboe, clarinet, alto saxophone) as a contained narrative within the larger work. Conductors should cue soloists to phrase as if they're the only voice being heard at that moment.
  • Mark the brass entrances carefully in rehearsal. When powerful moments arrive, the contrast reads most effectively when the earlier woodwind transparency has been genuinely restrained, not cautious.
  • Allow the five-minute duration to breathe. Resist rushing passages between textural shifts; the space between ideas is part of the landscape the title evokes.

How to use it

Program this as a second or third selection where it can frame a concert's emotional arc, offering listeners visual and textural relief without disengaging them. Its five-minute span fits well between heavier works or as a concert's closing statement, depending on what surrounds it.

Skills your students will build

  • Balancing solo and ensemble voices in a featured role
  • Sustaining tone quality in exposed passages with limited harmonic support
  • Responding to transparent orchestration that reveals rhythmic precision
  • Interpreting programmatic cues through phrasing and dynamic nuance
  • Executing clean entrances and releases when full band moments contrast light scoring

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