Tell Me Something Good (arr. Kirby Shaw): SAB Choral Octavo

Kirby Shaw's arrangement captures the infectious swagger of the original without demanding vocal gymnastics, making it accessible to mixed choirs while preserving the funk groove that makes this tune irresistible. The SAB voicing sits naturally across three parts, and the bright, buoyant energy lifts an entire concert while reinforcing solid part-singing fundamentals.

Upbeat and funky, with a warm conversational quality that makes listeners want to move. The arrangement swings with the confidence of the original while inviting harmony voices to add color and texture rather than disappear into a background.

Choirs seeking contemporary pop and funk repertoire that doesn't oversimplify the arrangement or underestimate singers' abilities. This works well for groups comfortable with rhythmic independence and interested in styles beyond traditional classical or barbershop voicing.

• Lock the groove first. Before worrying about blend, establish a solid rhythmic foundation in the SAB parts. The funk feel lives in the precision of the ensemble's pulse.
• Shape the call-and-response moments with clear dynamic contrast. These exchanges drive the song's momentum and engage the audience immediately.
• Emphasize the rhythmic subdivisions within the vocal lines. Syncopation defines the character here, so clarity on the grid keeps the arrangement fresh rather than muddy.
• Let the sopranos breathe naturally at phrase endings rather than pushing for straight tone throughout. Stevie Wonder's phrasing is conversational and relaxed.

Program this as a concert closer or high-energy moment mid-set to shift the emotional temperature and showcase your singers' facility with contemporary styles. It pairs well alongside other soul and pop arrangements, giving your audience permission to enjoy something lighter after heavier classical selections.

• Funk and pop rhythm conventions including syncopation and groove-based phrasing
• Call-and-response singing and ensemble interplay
• Maintaining rhythmic independence while blending as a choir
• Interpretation of contemporary vocal style and articulation