Telemann: Twelve Easy Chorale Preludes: Organ Comb Bound Book
By Georg Philipp Telemann
Item: 00-PK-0003364
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Description
The comb binding creates a lay-flat book that is perfect for study and performance.
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Telemann: Twelve Easy Chorale Preludes: Organ Comb Bound Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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Additional Details
Series:
Kalmus Edition
Publisher:
Alfred Music
Page Count:
28
SKU:
00-PK-0003364
More about this title
About the Composer: Georg Philipp Telemann
Georg Philipp Telemann (1681-1767) was one of the most prolific composers of the Baroque era, leaving behind roughly 3,600 works across every major genre. A master of instrumental writing and orchestration, he served as a church musician, court composer, and opera director across Germany, holding positions in Magdeburg, Eisenach, Frankfurt, and Hamburg. His output reflects both German contrapuntal tradition and the galant sensibilities that would shape the Classical era.
Telemann's organ works occupy a distinctive space in his catalog. Less austere than Bach's, yet grounded in solid contrapuntal technique, these pieces reveal a composer equally at home writing for the keyboard as for the ensemble. The Twelve Easy Chorale Preludes demonstrate his gift for clear melodic writing and harmonic directness, making them essential teaching and performance repertoire for organists seeking substantive Baroque literature that doesn't demand virtuosic acrobatics.
Why we love this
These chorale preludes strike a balance that's surprisingly difficult to find: they're rooted in genuine Baroque musical language while remaining genuinely playable by intermediate organists. The comb binding is a practical gift for any performer tired of holding down pages or wrestling with page turns during practice and recitals.
What to expect
These chorale preludes breathe with the clarity of Protestant hymnody paired to the harmonic sophistication of the mid-Baroque. Each piece feels both intimate and proportional, offering moments of simple chorale statement alongside gently woven counterpoint that never becomes labored.
Who it's for
Intermediate organists preparing recital material, church musicians building a sustainable chorale prelude repertoire, and students studying Baroque keyboard writing at the secondary or early undergraduate level. These pieces sit comfortably between elementary hymnody and the more demanding Bach preludes, making them ideal for musicians consolidating their technique.
How to get the most out of it
- Approach the inner voices with the same care you give the melody; Telemann's part-writing rewards transparent registration that lets all lines sing without muddying the texture.
- Keep registrations modest and change them between pieces rather than within them to maintain clarity and prevent fatigue during performance.
- Use the lay-flat binding to study the full harmonic progression without breaking focus; this collection benefits from understanding the underlying voice leading before adding any interpretive choices.
How to use it
Feature individual pieces as organ preludes in worship settings, where their direct relationship to chorale tradition feels particularly at home. Alternatively, program a group of three to five consecutive pieces as an intermission moment on a mixed recital, allowing audiences to appreciate Telemann's approach to the form without excessive length.
Skills your students will build
- Baroque counterpoint and voice leading
- Registration choices for clarity and color without complexity
- Chorale prelude form and harmonic function
- Sight-reading Baroque organ notation and manual divisions
- Sustaining musical line across multiple manual and pedal parts