Technique Flies High! Cover Image

Technique Flies High!: Violin Book

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Technique Flies High! Cover Image

Technique Flies High!: Violin Book

14 Advanced Studies for Solo Violin

By Mary Cohen

Level: Advanced

Item: 12-0571518273

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Description
Technique Flies High! is an exciting book of new performance studies for the intermediate to advanced violinist. Using baroque, romantic, contemporary and folk styles, these studies are also ideal as unaccompanied concert repertoire. Practice and performance tips guide the student and outline the technical and musical goals.
Techniques covered include: advanced position changing, fast passage work and string crossings, natural and artificial harmonics, slow bowing and playing many notes in one bow, working in unusual or changing time signatures, free improvisation within strict boundaries, double stopping, and rapid changes between arco and pizzicato.

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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51827-3
ISBN13: 978-0-571-51827-2
UPC: 9780571518272
SKU: 12-0571518273

More about this title

About the Composer: Mary Cohen

Mary Cohen

Mary Cohen has established herself as a composer whose work appears in conservatory curricula and major examination syllabi across the globe. Her output of over sixty string publications reflects decades of direct teaching experience, first as an orchestral violinist with the City of Birmingham Symphony Orchestra, then through the private studio she built into a laboratory for testing pedagogical ideas. She studied at the Royal College of Music, where she distinguished herself in violin, composition, and chamber music.

Cohen's philosophy centers on meeting each student where they are while connecting technical study to a genuine musical life. Her chamber music advocacy led her to found String Quartets From Scratch, an ensemble club for young players aged 7 to 18, and she has been a key figure in the Associated Board's Music Medals project since 2001. She regularly conducts teaching seminars internationally and remains committed to designing materials that are both musically rewarding and pedagogically honest.

Why we love this

Cohen writes studies that demand real musicianship, not just mechanical drilling. Each piece uses distinctive stylistic material to anchor the technique being developed, so students encounter harmonics within a baroque texture, or pizzicato-arco changes in a folk idiom. The included practice and performance tips distinguish this from generic etude collections; they give both you and your student a clear roadmap for what matters in each study.

What to expect

The collection moves fluidly between historical and modern sensibilities. You'll work through baroque-inspired counterpoint, romantic-era virtuosity, contemporary harmonic color, and folk melody, each filtered through Cohen's distinctive voice. The studies feel alive and purposeful, not like exercises.

Who it's for

Advanced violinists ready to tackle contemporary techniques alongside traditional musicianship. This book suits students preparing for advanced repertoire, conservatory auditions, or those simply hungry for material that stretches both left and right hands in equal measure.

How to get the most out of it

  • Treat natural and artificial harmonics as musical gestures, not just special effects. Notice the harmonic content in each passage and let that shape your tone production and phrasing.
  • In studies involving unusual time signatures, count internally rather than relying on visual pattern recognition. This trains your ear to lock onto the pulse regardless of notational complexity.
  • When working rapid arco-pizzicato transitions, practice the hand position changes separately from the bow rhythm. Only combine them once each element is comfortable in isolation.
  • Embrace the improvisation studies as genuine composition in miniature. The 'strict boundaries' Cohen provides are liberation, not limitation; they focus your creative choices and prevent aimless wandering.

How to use it

These studies work brilliantly as individual concert pieces, so you can slot them into student recitals at strategic points during the year. They're equally valuable in the practice room as preparation for the advanced concerto repertoire your students are pursuing.

Skills your students will build

  • Advanced position changing across multiple strings and registers
  • Fast passage work and string crossing coordination
  • Natural and artificial harmonics in musical context
  • Slow bowing control and sustaining multiple notes per bow
  • Reading and playing in unusual or shifting time signatures
  • Free improvisation within compositional frameworks
  • Double stopping and intonation balance
  • Rapid, clean transitions between arco and pizzicato

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